THE THOMIST A SPECULATIVE QUARTERLY REVIEW OF THEOLOGY AND PHILOSOPHY EnnroRs: THE DoMINICAN FATHERS OF THE PRoviNCE oF ST. JosEPH Publishers: Sheed and Ward, Inc., New York City VoL. VIII APRIL, 1945 THE LURE OF BEAUTY ROM THE fifteenth century to the present day the western world has been drifting with more or less gay abandon from the solid moorings of truth and goodness. This vagrancy has been marked by two trends: an abandonment of scientific philosophy and theology in favor of the elevating experiences of esthetics, and a departure from classic Christianity under the guise of pursuing culture. The moderns give full expression to this now ancient vagabondage as they chant of the dawn of a new era of culture and revel in rhapsodies on art and beauty. Now, the allurements of beauty are very old. But they become extravagant when man despises true wisdom and departs from moral goodness. The temptations of esthetics are many. The mind of man has a desire to penetrate the material world about him. In a limited way the esthetic experience satisfies this desire, but at the same time it feeds the false hope that man can exceed his intellectual perfection, which here below consists in universal truths, and rival the divine and angelic in149 150 JOHN FEARON tellects in their total exploitation of the concrete individual. In the face of a reluctance on the part of the material world to expose its inner self to the human mind man artfully contrives to give matter an intelligibility not its own in an attempt to elucidate the beauty of his world. Loving the child of his own mind fosters in man the temptation to rest in his image and exult in his own self-expression. In a way this flatters the same presumption that toppled Adam-that man can be the principle of his own perfection. And just as there is a possibility of confusing the merits of esthetic and philosophic knowledge, there is the possibility of confusing the beautiful and the good. Succumbing to this temptation leads to the modem cult of culture. Disregard for truth and goodness makes the modern an easy target for the wily one who capitalizes on any and all temptations. But sound doctrine can reduce the potentiality of these temptations and rob beauty of its deceptive lure. The fundamental ideas of St. Thomas on beauty are the surest road to a realization of the distinctions and limitations which belong to esthetics. St. Thomas lived in a beautiful age, sometimes called the greatest of centuries. True, his observations on the beautiful are scattered through his works in terse phrases pregnant with meaning. He merely pauses to give a definition, to indicate beauty's relationship to the good or to assign its place in the Trinity. But this process is natural to the rapid pace at which a theological synthesis must travel. Furthermore, it is well to bear in mind that Divine Providence had definite designs upon the genius of the friar from Rocca Sicca. In doctrinal matters St. Thomas had one intent and purpose: to establish theology as a strict science, the most perfect of sciences. IDtimately this involved the production of a " summa " of Sacred Doctrine for beginners. The magnificence of this work has been recognized through the centuries, sometimes even with the silent encomium of resting on the shelves reserved for research and reference. Eric Gill once said " look after goodness and truth, and beauty will take care of herself.'' 1 The Angelic Doctor took care of truth. 1 Eric Gill, Beauty Looks After Herself, Sheed & Ward, N. Y. 1933, p. !M5. THE LURE OF BEAUTY 151 Pope John XXII gave Thomas Aquinas the title of Saint. Pope Pius XI gave St. Thomas Aquinas the title of Universal Doctor. This paper is not undertaken in the pontifical spirit which would add the tile of Esthete to those of Saint and Doctor. But perhaps it may help to lead the moderns back to truth and goodness. Then" beauty will take care of herself." I In attempting to piece together the scattered fragments of St. Thomas' esthetics into an integrated whole, harmonious with the rest of his synthesis, the usual methodology of proceeding from the more known to the less known is indispensable. This procedure demands first of all that an accurate though indistinct notion of the basic formality of beauty be culled from the obvious. From the viewpoint of logic and predication two facts are obvious. First, we predicate the term beautiful of totally diverse subjects. With a trace of poignance in the voice we say that a symphony is beautiful; with the trill of youth the same term is also predicated of certain characters of Hollywood fame. Some classes of men are quite lavish with the word when referring to flowers and sunsets; the more religious will reverently say that Mary is beautiful, that Christ is beautiful and that God is beautiful. The second obvious fact gleaned from our manner of speaking is that beauty, though predicated of diverse things, is not used to designate all the individuals of any one class. We say that certain individual women are beautiful, but we do not apply the term indiscriminately to all women. The inescapable truth is that some women are ugly. Though all enjoy the same nature and the same femininity, reliable opinion refuses to concede that all are beautiful. Thus it appears that beauty is actually a composite characteristic embracing considerably more than essential constituents. As might be expected, the observant Aristotle was quite aware of the strictly personal character of beauty and its peculiar incommunicability.2 He noted that association with the beautiful does not s Aristotle, Problemata, Bk. XXIX, 95la. 152 JOHN FEARON produce beauty any more than association with the healthy produces health. In the order of experience two more facts are obvious. Quite certainly esthetic experience is knowledge of some sort. On the one hand sensile perception alone seems insufficient for the discernment of beauty. On the other, it stands opposed to the labored abstraction and discourse of reason typical of scientific knowledge. Knowledge of beauty is somehow intuitive. 2 " Hence, knowledge of the beautiful eludes the mode of truth which concentrates on the abstractive nature ofthe knowable. It penetrates deeper and tends to exhaust the concrete complexities of the individuaL To sum it all up, this knowledge is :intellectual, but somehow exhaustive and intuitive, like vision. Our consciousness of beauty also includes delight. Esthetic experience is happy. It gives spice to work-a-day existence and refreshes the soul weighed down with care. Yet, thi.s delight is something more noble than the joy engendered by tasty food and fine old wines. It is a delight consequent upon knowing the beautiful. We say we are delighted by the sunset. Actually we mean that we are delighted with the perception of the sunset. In his simple wisdom St. Thomas captured all this in four words: " Beauty is that which being seen pleases." 3 To ponder the obvious in this way may seem useless. Yet only the obvious can provide the vague but all-important formalities which make it possible to plumb the depths of the obscure. In the case of beauty these initial reflections quite convincingly indicate that beauty involves the exhaustive intuition of the whole individual with a consequent delight in that intuition. "Beauty is that which being seen pleases." Equipped with this formal notion as with an instrument it is 2 • It will be clear from the context that the term " intuition " is not employed in this article in the sense of an immediate intellectual vision of the concrete individual. St. Thomas denies the possibility of such a vision to the human intellect in its present state of union with the body. Here the term is used to indicate the direct experience of the individual that man is capable of through the united activities of his sense and intellectual faculties. Cf. "Notes on Intuition," by M. de Munnynck, 0. P. in The Thomist, Vol. I (1939), pp. 143-168. 3 Summa Theol., I, q. 5, a. 4, ad lum: "id quod visum placet." THE LURE OF BEAUTY 153 possible to clarify the more difficult concepts and answer questions of a more basic nature. n In n.atural philosophy the vague concept of motion makes it possible to formulate a more precise concept of nature wherein motion is found. Similarly a vague notion of the formalities specifying cognition enable one to discover the deeper truths about the faculty wherein cognition is found. In like manner the germinal observation that esthetic experience is a full intuition of the individual directly implicates the human intellect as the subject of that experience. This approach leads immediately to two problems: an analysis of the cognitive action already termed intuitive, and an analysis of the more intimate characteristics of the cognitive faculty itself. Actually the person appreciates beauty. But in the genesis of this experience many faculties cooperate. The primary contact of man with beauty is established by the external senses. These are five in number: touch, sight, hearing, taste and smell. Sight and hearing play the most prominent role. St. Thomas notes that " those senses chiefly regard the beautiful which are most cognitive, viz., sight and hearing as ministering to reason; for we speak of beautiful sounds and beautiful sights. But in reference to the objects of the other senses we do not use the expression beautiful." 4 Still, a lesser role can be assigned to the other senses without doing violence to St. Thomas. ln. referring to the work of these two senses he did not say " solely " (solummodo) but rather "chiefly" (praecipue) the senses of sight and hearing. Though tastes and smells are not ordinarily considered beautiful they do contribute in their own way to our complete sense perception of beauty. For example, we are charmed by the rose particularly because of its color and shape. 'Summa Theol., I-II, q. 27, a. 1, ad Sum: "llli sensus praecipue respiciunt pulchrum qui maxime cognoscitivi sunt, scilicet visus et auditus ratione deservientes; dicimus enim pulchra visibilia et pulchros sonos. In sensibilibus autem aliorum sensuum non utimur nomine pulchritudinis; non enim dicimus pulchros sapores aut odores . . . " 154 JOHN FEARON However, its fragrance and texture also enter into our whole perception of the rose. Sight and hearing are here of greater importance because they best serve the intellect and because through them most of our knowledge is acquired. This is especially true with regard to sight and the common sensibles. Since sight extends universally to aU of them it is not only more efficacious but also more powerful. 5 We can certainly neither touch, smell, nor taste music, poetry and sunsets. Yet these are beautifuL By their situational and functional associations with nutrition, smell and taste are more at home in the dining room than at the opera. The external sense representations of the concrete individual objects of beauty are then conveyed to the internal common sense and imagination, where they may be intensified and enhanced by fusion with the elements of previous experience. The reproductive and retentive functions of imagination are of considerable importance for this reason. The comparative development or dullness of this faculty largely accounts for the variations of taste among individual esthetes. Vivid imagination will bring a wealth of associated experience to each new discovery of beauty. Unresponsive imagination will even fail to grasp the totality of esthetic material offered by the senses. This phenomenon is entirely in consonance with the old philosophic axiom that " whatever is received is received according to the mode or capacity of the recipient." In connection with the internal senses of man special mention should be made of what the Angelic Doctor calls the particular reason. In man the particular reason substitutes for the functions of instinct in animals. It assembles and collects the individual intentions of sense perceptions just as the universal reason assembles and collects universal reasons. Furthermore, the particular reason apprehends the individual as existing under a common nature. This is possible only because of its intimate association with the intellect in one and the same person. The obvious ad8 Comment. In "De Sensu et Sensato," lect. !i!, n. "Per hunc etiam sensum (visus) magis cognoscuntur communia sensibilia; quia quanto potentia habet virtutern cognoscitivam universaliorem, et ad plura se extendentem, tanto est eilicacior in cognoscendo; quia omnis virtus quanto est universalior, tanto est potentior." THE LURE OF BEAUTY 155 vantage of this faculty is that it enables us to know this man precisely as this man. 6 Next, this immediate sense perception confronts the intellect. In using the expression, " beauty is that which being seen pleases," St, Thomas did not wish to confine " being seen " to the strict meaning of an exercise of the faculty of sight, even though this is the primary signification of the term. According to his own interpretation, " the word ' sight ' is originally applied to the act of sense, and then as sight is the noblest and most trustworthy of the senses extended in common speech to all knowledge obtained through the other senses . . . and further it is referred to knowledge obtained through the intellect." 1 He is careful to stress the predominant role of intellect in the apprehension of the beautiful. " Beauty refers to the cognitive faculty," he insists, in distinguishing it from the universal good. 8 But the exact nature of this intellectual act is not explicitly developed by the Angelic Doctor. However, there is general agreement that sensile perception is insufficient for the discernment of beauty. Animals are chronically unappreciative of the beauties of art and nature alike. Even the most pedigreed • In Aristotelia Librum De Anima, II, lect. IS, :n. S96-S98. " Si vero apprehe:ndatur in singulari, ut puta ·cum video colora tum percipio hunc hominem vel hoc animal, hujusmodi quidem apprehensio in homine fit per vim cogitativum, quae dicitur etiam ratio particularis, eo quod est collativa intentionum individualium, sicut ratio universalis est coUativa rationum universalium. "Nihilominus tam en haec vis est in parte sensitiva, quia vis sensitiva in sui supremo participat aliquid de vi intellectiva. in homine, in quo sensus intellectui conjungitur. In animali vero irrationali fit apprehensio intentionis individualis per aestimativam naturalem, secundum quod ovis per auditum vel visum cognoscit filium vel aliquid hujusmodi. " Difl'erenter tamen circa hoc se habet cogitativa et aestimativa. Nam cogitativa apprehe:ndit indi-viduum ut existens sub natura communi; quod contingit ei, in quantum unitur intellectivae in eodem subjecto; unde cognoscit himc hominem prout est hie homo et hoc lignum prout est hoc lignum." • Summa Theol., I, q. 67, a. 1: "sicut patet in nomine visionis, quod primo impositum est ad significandum actum sensus visus, sed propter dignitatem et certitudi:nem hujus sensus, extensum est hoc secundum usum loquentium, ad om:nem cognitionem aliorum se:nsuum •.• Et ulterius etiam ad cognitionem intellectus." 9 Summa Theol., I, q. 5, a. 4: " ••. pulchrum respicit vim cognoscitivam ... " 156 JOHN FEARON dogs howl at a symphony. At the other extreme, there is agreement that this knowledge of beauty stands opposed to the difficultprocesses of scientific reasoning. It can readily be admitted, however, that these processes J:p.aterially dispose the mind for the perception of more intellectual beauty. The acts of reason are essentially discursive. They move from the imYet the newly mediately known to the mediately acquired term is expressed in a judgment. Since sensile perception and labored discourse of reason are disqualified as constituting the esthetic intuition, the choice is limited to some kind of judgment. For all beauty is true and knowledge of the beautiful is true knowledge. But truth, which is the perfection of knowing, is found only in judgment. Obviously then, the intuition of beauty is basically some manner of judgment. However, it must not be considered as a simple judgment of principles nor as the conclusion of a well-reasoned syllogism. Rather, it belongs to the class of judgments associated with contemplation, a full intuition of the known. It exceeds the order of abstraction and utilizes the harmonious contributions of all the cognitive faculties of the person. Though the esthetic intuition ultimately consists in this act of the intellect, the internal and external senses must of necessity cooperate. 9 Obviously the knowledge of truth is verified equally in esthetic and non-esthetic cognition. Beauty and ugliness have a common status relative to judgment. The peculiar note which specifies esthetic cognition is that it is somehow exhaustive of the known. It satisfies the mind. One can have true knowledge of the nature of the known and still be highly curious about its particular and individual notes. But when the intellect and conjoined faculties spontaneously exhaust the knowability of the beautiful, curiosity is absent. Only when knowability on the part of the object completely connatural to the cognitive • Summa Theol., I, q. 84, a. 7: "Unde natura lapidis, vel cujuscumque materialis rei, cognosci non potest complete et vere, nisi secundum quod cognoscitur ut in particulari existens. Particulare autem apprehendimus per sensum et imaginationem; et ideo necesse est ad hoc quod intellectus actu intelligat suum objectum proprium, quod convertat se ad phantasmata, ut speculetur naturam universalem in particulari existentem." THE LURE OF BEAUTY 157 faculties captures the mind does esthetic experience occur. It grows out of an accumulative process and contains within itself all the perfections of the apprehension and judgment of truth but in a more perfect and complete way. This conjoined activity of the intellect and senses must be immediate (temporally) , without doubt and without discourse of reason; 10 in a word, spontaneous. In this moment of the knowing process the cognitive aspect of esthetic experience is essentially complete. This is the basic meaning of the term " intuition " when applied to the contemplation of beauty. It is entirely unnecessary to invent either a new faculty or a new act of the intellect peculiar to the intuition of beauty and peculiar to only a few esthetes. However, it would falsify St. Thomas and it would falsify experience to omit any mention of the grades of perfection found in esthetic perception. Having isolated the basic truths about this act, it is possible to expand their application without running the risk of confusion. Basically esthetic knowledge is contemplation or vision. It is concrete knowledge of the beautiful. It exploits the knowability of an object completely connatural to the mind of man. There are the common traits realized in the esthetic knowledge of peasant, poet and philosopher alike. Mention has already been made of the role of the internal senses in accounting for differences is esthetic tastes. Bodily dispositions, temperament, and experience all have an influence upon intellectual ability. However, over and above the level of sense certain characteristics of individual intellects also influence the operations of this faculty. The mind of man has a certain plasticity which enables it to acquire various habits or dispositions. These perfections in turn materially dispose the intellect to respond to a fuller measure of beauty. They attune the mind to the more intellectual aspects of the beautiful. The most important of these habits in the natural 10 Summa Theol., Suppl., q. 92 (94), a. 2: " ... sicut Socrates, et filius Diaris, et amicus, et alia hujusmodi, quae per se cognoscuntur in universali ab intellectu, in particulari autem a virtute cogitativa in homine . . . Hujusmodi autem tunc sensus exterior dicitur sentire, quamvis per accidens, quando, ex eo quod per se sentitur, vis apprehensiva (cujus est illud cognitum per se cognoscere) statim et sine dubitatione et discursu apprehendit. . . . " 158 JOHN FEARON order is philosophical wisdom or metaphysics. Inasmuch as metaphysics leads to the contemplation of the universal causes of being it transcends the proper object of the human intellect. It discerns deeper realities and considers diverse realities under a common aspect and does not descen!f to the proper notes of natural and moral objects. It reduces such diverse things as creator and creature to a unity, not of univocation but of analogy .11 Because man is a speculative creature this presupposes the discipline of logic and physics. Because man is a moral creature it also presupposes the discipline of moral virtue, especially temperance. 12 The study of philosophy is not the work of a day. It is a lifetime effort. It demands intense and prolonged intellectual concentration. Lest man be lured from this devotion to thought, strong habits must moderate the unreasonable demands of his animal nature. Human experience bears ample witness to the inescapable connection between wisdom and temperance. There is a certain asceticism demanded in the esthete who would improve the natural endowments of his intellect. The intellectual facility and acumen which the habit of metaphysics brings to the mind of the esthete is not without labor and suffering. The second of the intellectual habits which dispose the mind for fuller esthetic knowledge is peculiar to the Christian. By tae infused habit of Faith and the acquired habit of theology, the Christian is enabled to approach God no longer under the aspect of being, but as He is in Himself. The ultimate perfec11 I Sent., Prolog. q. 1, a. corp. et ad !tum: "Aliqua cognitio quanta altior est tanto est magis unita et ad plura se extendit: unde intellectus Dei qui est altissimus per unum quod est ipse Deus omnium rerum cognitionem habet distincte. Ita et cum ista scientia sit altissima et per ipsum lumen inspirationis divinae efficaciam habens. ipsa unita manens non multiplicata diversarum rerum considerationem habet, nee tantum in communi, sicut metaphysica, quae considerat omnia in quantum sunt entia non descendens ad propriam cognitionem moralium, vel naturalium. Ratio enim entis cum sit diversificata·in diversis non est sufficiens ad specialem rerum cognitionem; ad quarum mauifestationem divinum lumen in se unum manens, sec. Dion. efficaciam habet." " Creator et creatura reducuntur in unum, non communitate univocationis sed analogiae." 12 Summa Tkeol., IT-II, q. a. 1, ad THE LURE OF BEAUTY 159 tion of theology as a science is the contemplation characteristic of theology as wisdom. This habit also demands definite intellectual and moral preparation. It was not mere chance that led the Beloved Apostle to write " Every one that loveth is born of God and knoweth God. He that loveth not knoweth not God." 12 " Moral virtues impede the vehemence of unruly appetites and quietly but firmly wall off the tumult of exterior distractions, 13 and prepare the way for acquired contemplation. In turn this is but an approach to the contemplation which proceeds from the gift of Wisdom, " the gift which makes us judge rightly of divine things by a certain connaturalness and union with God which is effected by Charity." 1.4 Under the egis of the Holy Ghost the soul is swept along through life and through death to the vision o£ the Triune God, the summit of esthetic experience, perfect and immediate union o£ the intellect and God. Night vanishes and eternal day appears. However, it is to be noted that theology in this life attains its object in a dark manner with relative and negative knowledge, since theology is based on Faith and Faith is o£ things not seen. The full vision o£ God is reserved for the blessed in heaven. Though the name contemplation is common to connatural esthetic knowledge, metaphysical wisdom, theology and the Beatific Vision, the essential characteristics of esthetic knowledge are not realized in each. Metaphysics gives certain knowledge and contemplates reality. Yet metaphysics as such does not descend to the concrete individual. And the beauty that is connatural to man is to be found in just the precise characteristics that metaphysics abstracts from. Hence, the role of metaphysics in esthetics is simply to dispose the intellect and render it capable of discerning with ease the deeper aspects of the beauty which is connatural to man. Likewise, theology gives I ln. 4, 7 and 8. Theol., ll-ll, q. 180, a. 2: "Virtutes autem morales impediunt vehementiam passionum et sedant exteriorum occupationum tumultus. Et ideo virtutes morales dispositive ad vitam contemplativam pertinent." 10 Summa Theol., II-IT, q. 45, a. 4: "sapientia quae est donum Spiritus Sancti sicut dictum est facit rectitudinem judicii circa res divinas, vel per regulas divinas de aliis, ex quadam connaturalitate sive unione ad divina." 12 " n Summa 160 JOHN FEARON certain knowledge and contemplates reality. It has the further perfection of considering reality in its concrete individuality. It knows God under the very aspect of His Deity. However, in this life theology is based on Faith and not on vision. Though divinely certain, theology is obscure. Hence, even theology fails to provide the full intuition of its object which is characteristic of esthetic knowledge. Like metaphysics, theology disposes the mind to know deeper truths. However, its proper role is to prepare the mind for the esthetic contemplation of God in heaven. In this life, though we know that God is beautiful, we do not see His Beauty. While a wayfarer the theologian pursues the Beauty of God, but never captures it. In this brief account of the contact of the soul with beauty a wealth of detail has been neglected. In analyzing the intuition of beauty the basic realities are of more importance. Having evidenced them the next step is to outline the inner characteristics of the faculty thus felicitously affected. Since it was asserted that knowledge of the beautiful was connatural to the knower, this serves as a valuable point of departure from which to undertake a study of the intellect itself. Despite the needless friction between idealism and realism, all men are realists at heart. The human intellect cannot be satisfied with dreams about centaurs and peppermint mountains. When words fail even the most vociferous idealist picks up a club to do battle for the reality of his ideas. Generally spea;king, the human intellect concentrates on two spheres of reality, forms and relationships. 15 Upon seeing a strange gadget for the first time one immediately asks what it is and what it is for. In covering reality the senses deal with the more material accidents since these are highly individual and individual matter itself is unintelligible. For present purposes it is sufficient to note that the human intellect is a potency having for its object real sub'"Joannis a S. Thoma, Cursus Philosophicus, III, p. 114 b9ss: "Ex omnibus enim praedicamentis substantia et relatio per se pertinent ad' intellectum, substantia quidam quia per se non potest movere sensum nisi per aliquod accidens externum quo reddatur sensibilis. Remota vero accidente sola substantia non est cognoscibilis nisi ut quidditas quod est proprium objectum intellectus. Relatio autem quia indiget collatione et ordinatione ut cognoscatur quae est propria intellectus." THE LURE OF BEAUTY 161 stantial forms and relationships. In referring to the latter, St. Thomas says: "It is proper to reason to know order. Whereas the sense faculties know things absolutely, only the intellect or reason can know the order of one thing to another." "6 In order to particularize these general statements about the intellect and its object, and in order to assign the natural basis for the various grades of perfection in esthetic cognition, several distinctions are necessary. First, the intellect has a twofold potentiality. Its natural potentiality regards those objects which can be known by its own natural agency. Since the natural agency of the intellect depends objectively upon the images presented by the senses, its natural potentiality is confined to reality which has some association with matter. Such reality is either associated with matter as a constituent part or has matter as a subject. It may also have an association with material things only by a certain similarity, as in the case of our :relative and negative knowledge of God. However, over and above this natural potentiality, the intellect has an obediential potentiality relative to the agency of God. Thus even the vision of separated substances and God Himself can fall within the scope of the intellect. 17 The particular significance of this distinction to the esthete is that his Most Beautiful One cannot be seen with the eyes of his mind unless God Himself elevates the created intellect. This experience is reserved for the blessed. 16 In I Ethic., lect. 1: "quia sapientia est potissima perfectio rationis, cujus proprium est cognoscere ordinem. Nam etsi vires sensitivae cognoscant res absolute, ordinem tamen unius rei ad aliam cognoscere est solius intellectus aut rationis." 17 S. Thomae, Comp. Theol. ad Fr. Reginaldum, I, c. 104: "Est autem aliquid in potentia dupliciter: uno modo naturaliter, respectu eorum scilicet quae per agens naturale possunt reduci in actum: alio modo respectu eorum quae reduci non possunt in actum per agens naturale, sed per aliquid aliud agens. . . . Sic autem et circa intellectum nostrum accidit. Est enim intellectus noster in potentia naturali respectu quorumdam intelligibilium, quae scilicet reduci possunt in actum per intellectum agentem, quae est principium innatum nobis, ut per ipsum efficiamur intelligentes in actu. Est autem impossibile nos ultimum finem consequi per hoc quod intellectus noster sic reducatur in actum: nam virtus intellectus agentis est ut phantasmata, quae sunt intelligibilia in potentia, faciat intelligibilia in actu. . . . Consequimur igitur ultimum finem in hoc quod intellectus noster fiat in actu, aliquo sublimiori agente quam sit agens nobis connaturale .... " 162 JOHN FEARON Again, it is necessary to distinguish between the proper and adequate objects of intellect. The proper object of the intellect is connatural to man as human. The adequate object of the human intellect is connatural to man as intellectuaL Thus, as precisely human, the intellect is confined to the essences of material beings. As a spiritual faculty potentially all things, however, it can and does transcend those limits by use of analogy and considers being as being, without regard to matter. St. Thomas says: It is connatural to us to know those things which have their being in individual matter inasmuch as our soul by which we know is also the form of some definite matter. However, this soul has two cognitive levels. One of them is the act of a corporeal organ and it is connatural to this faculty to know things inasmuch as they are found in individual matter, wherefore the senses know only singulars. The other cognitive faculty of the soul is the intellect, which is not the act of any corporeal organ. Hence it is connatural to us to know intellectually natures which do have their being in individual matter though they are not known precisely as existing in individual matter but as they are abstracted from it by the consideration of the intellect. Thus by the intellect we are able to know things universally, which is far above the faculty of sense. 18 Since the intellect regards its object universally it can transcend the particular aspects of its object. 19 Thus being in all its totality 18 Summa Theol., I, q. 12, a. 4: "Ea igitur quae non habent esse nisi in materia individuali, cognoscere est nobis connaturale, eo quod anima nostra, per quam cognoscimus, est forma alicujus materiae. Quae tamen habet duas virtutes cognoscitivas. Unam, quae est actus alicujus corporei organi. Et huic connaturale est cognoscere res secundum quod sunt in materia individuali, unde sensus non cognoscit nisi singularia. Alia vero non est actus alicujus organi corporalis. Unde per intellectum connaturale est nobis cognoscere naturas, quae quidem non habent esse nisi in materia individuali; non tamen secundum quod sunt in materia individuali, sed secundum quod abstrahuntur ab ea per considerationem intellectus. Unde secundum intellectum possumus cognoscere hujusmodi res in universali; quod est supra facultatem sensus." 19 Summa Theol., I. q. 79, a. 7: " ..• si aliqua potentia secundum propriam rationem ordinetur ad aliquod objectum secundum rationem objecti non diversificabitur ilia potentia secundum diversitates particularium differentiarum. . . . Intellectus autem respicit suum objectum secundum communem rationem entis, eo quod intellectus possibilis est quo omnia fieri." THE LURE OF BEAUTY 163 is opened up to the consideration of the mind. By its natural potentiality the intellect can transcend its proper object and explore with analogy, though in a limited way, even beings which lie only within its adequate object. However, the obediential potentiality of the intellect is exercised properly within the sphere of the adequate object. These precisions relative to the knowing faculty establish several conclusions pertinent to the doctrine on beauty. First, esthetic knowledge need not be restricted to the material order as far as the intellect is concerned, though the connatural mode of knowing beauty will be confined to the proper object of the intellect, the physical world of matter and form. Second, the more intellectual varieties of beauty lie outside the proper object of the intellect and hence of necessity involve the use of analogy as far as our knowledge of them is concerned. Full intuition in this sphere is not the lot of mortal man. In a rapid analysis of esthetic experience the connatural and properly human aspects are of. prime importance. They provide the clues for making precise the confused concept with which an understanding of beauty must begin. With appropriate adjustments it is then possible to apply that concept of the loftier and more complex aspects of the question. Until the basic germinal notion is fully explicated, however, the strictures of method permit only a general consideration of the complexities. ill It has been seen that the complete capture of the mind by beauty which constitutes the exhaustive intuition is conditioned ultimately by the knowability of the object. In natural philosophy any penetration of motion and nature leads ultimately to the principles of nature which make motion possible: matter, form and privation. In our analysis of the general concept of cognition and intellect, immateriality appears as the ultimate principle which makes cognition possible. Similarily a full understanding of the knowledge man has of beauty leads ultimately to the exterior principles which cause esthetic experience. Since knowledge of the beautiful has something in common 164 JOHN FEARON with any intellectual perception, beauty itself will have the general attributes of knowability, reality, fonn, and order. In applying these attributes to beauty, St. Thomas rather constantly refers to, them as integrity, proportion and clarity. In a typical passage he says, " For beauty three things are required. In the first place integrity or perfection, for whatsoever things are imperfect by that very fact are ugly; and due proportion or consonance; and again clarity--thus brightly colored objects are said to be beautifuL" 20 Integrity Even to one uninitiated in philosophical terminology integrity connotes completeness. It has something to do with a nose on every face and two ears astride each head. This is also the sense in which St. Thomas uses the term. Ordinarily he associates it with the term perfection. For him perfection and integrity are really the same thing, differing only conceptually. It is a case of the bottle being half full or half empty. Perfection signifies positively what integrity signifies negatively. A thing is perfect so far as it has attained its full essential and functional stature. In respect to this same totality the term integrity signifies that no parts are lacking. 21 The most tangible application of integrity holds for the quantitative order. When we think of parts and wholes we think first of these factors in respect to things having magnitude, like the pie and its pieces, the jig-saw puzzle and its pieces. An integral puzzle has no parts lacking. A pie half eaten is no longer a whole pie. However, integrity also applies to essential wholes, compounds of matter and form. In respect 20 Summa Theol., I, q. 39, a. 8: "Nam ad pulchritudinem tria requiruntur. Primo quidem integritas sive perfectio; quae enim diminuta sunt, hoc ipso turpia stmt. Et debita proportio sive consonantia. Et iterum claritas, uncle quae habent colorem nitidum, pulchra, esse dicuntur." 21 /n de1 Div. Nom., c. !2, lect. I: "Integrum et perfectum idem videntur esse; differunt tamen ratione, nam perfectum videtur dici aliquid in attingendo ad propriam naturam; integrum autem per remotionem diminutionis, sicut dicimus aliquem hominem non esse integrum, si postquam attingit propriam natumm, aliquo membra mutiletur." THE LURE OF BEAUTY 165 to the essence of physical things, matter and form are parts just as essence and existence are the parts of spiritual substances. 22 For example, the soul is the formal part of man. When his soul departs he is neither integral nor beautiful. At least ordinarily we do not refer to cadavers as beautiful. Furthermore, the Angelic Doctor distinguishes between operational and existential perfection and integrity. In his own words: " Integrity is twofold. One considers the primary perfection which consists in the existence (esse) of a thing; the other considers the secondary perfection which consists in operation." 23 Thus, for example, by the endowments of nature a man may lack nothing of his existential perfection as a man. Yet virtue and the acts of virtue add an operational perfection to him which gives him a positive fullness typical of truly human beauty. Since the notion of integrity involves the whole and its parts it may be thought that it does not apply to God. To answer this difficulty St. Thomas distinguishes between a whole that depends on its parts and a whole that is prior to its parts. Thus, the material parts of a house are prior to the house and the whole house depends on them. The integrity consonant with this arrangement is typical of the whole created order. However, in the Platonic notion the whole precedes the parts after the manner in which we say that the parts of a house are in the mind of the builder which is a whole. In this sense integrity to God. It is the integrity which belongs to His can be And so it is ultimately with each nature. Each has Est • 2 Summa Theo., I, q. 8, a. 2, ad Sum: " ... totum dicitur respectu partium. autem duplex pars: scilicet pars essentiae, ut forma et materia dicuntur partes compositi, et genus et differentia, partes speciei; et etiam pars quantitatis, in quam scilicet dividitur aliqua quantitas." •• IV Sent., d. 26, q. 2, a. 4: " duplex est integritas. Una quae attenditur secundum perfectionem primam, quae consistit in ipso esse rei; alia quae consistit in operatione." "In de Div. Nom., c. !l, lect. 1: "Totum autem hie non accipitur secundum quod ex partibus componitur sed prout secundum platonicos totalitas quaedam dicitur ante partes, quae est ante totalitatem quae est ex partibus, utpote si dicamus quod domus quae est in materia est totum ex partibus, et quae praeexistit in arte aedificatoris, est totum ante partes." 2 166 JOHN FEARON an integrity proper to it. For example, man's nature calls for two arms and a head. Hence the Venus de Milo is no longer the statue of a woman, nor can she be called a beautiful woman. But it is the statute of a feminine torso and artists generally agree that it is a beautiful torso. From this brief summary of integrity four conclusions can be adduced which pertain to the consideration of beauty. First, integrity has more than a mere quantitative denotation. It can be expanded to cover the whole scale of beings. Second, though integrity is very broad in its application it is not appropriated to all natures in precisely the same way. Third, in considering the integrity proper to any one nature the common notes of integrity must be coupled with the peculiar adjustments proper to that nature. Fourth, mutilation, privation and diminution are the trade marks of the ugly. Proportion Like integrity, proportion or consonance also has a variety of applications the first of which is quantitative. This priority, however, is only in the order of knowing. St. Thomas says, "Proportion according to the first imposition of the term signifies a habitude of quantity to quantity according to some determined excess or equation, but it is further translated to signify every habitude of anything whatsoever to another." 25 The two factors involved in the general notion of proportion are habitude and plurality. No one says, .. I am just like me." In every proportion at least two terms are necessary. 26 Underlying this duality, of course, some type of unity is necessary. Habitude or order, however, can exist on various levels. First, there is the familiar order of the parts of a body. As St. Thomas puts it, we say a man is beautiful when he has a " decent " proportion of the members of his body with respect •• IV Semt., d. 49, q. 2, a. 1, ad 6um: "Proportio secundum primam nominis institutionem, significat habitudinem quantitatis ad quantitatem, secundum aliquem determinatum excessum vel adequationem, sed ulterius est translatum ad significandum omnem habitudinem cujuscumque ad aliud." •• IV Sent., d. 16, q. 8, a. 1: "Et quia in qualibet proportione oportet esse ad inus duos terminos, nihil enim sibi ipsi proportionatur, sed alteri .... " THE LURE OF BEAUTY 167 to quantity and situation. 27 His arms should be neither too long nor too short for the rest of his body; his nose neither too big nor too small for his face. Quantitatively he should be well proportioned. He also needs a certain graceful disposition of his limbs and parts. A gentleman tying his shoes, for example, generally assumes a somewhat unsightly posture. All physical beauty must realize this type of consonance even though each does it in his own way. Over and above material proportion and bodily beauty in man there is also a co1;1sonancemore proper to him as human. Virtues insure a conformity between his actions and his rational nature. Thus, virtue adds a special beauty to man. This is particularly true of the virtue of temperance. Temperance not only establishes an order in human life (all virtues do this) but it also restrains man from those deordinations which are typically bestiaF 8 And whereas temperance puts a proper order in man with respect to what is animal in him, charity and the theological virtues rightly order him to what is above, God. Regardless of outward appearances the saint is always more beautiful than the sinner. Again a difficulty arises in applying the ordinary notion of consonance to God. In God there is no real plurality. Still God does have consonance since He contains all proportions within Himself as in a cause. All created consonances are but manifestations of this consonance of the All Beautiful One who is the first cause of all order. It is impossible to outline the inexhaustable manifestations of God's. consonant beauty. The world is full to overflowing with interwoven order. Ages upon ages of poets and painters and saints will never dry up this unfathomable well of beauty. Only with our heads in heaven •• In de Div. Nom., c. 8, lect. 5: "Sic enim hominem pulchmm dicimus propter decentem proportionem membrorum in quantitate et situ." 28 Summa Theol., II-II, q. 141, a. 2, ad Sum: "Pulchritudo conveniat cuilibet virtuti, excellenter tamen attribuitur temperantiae duplici ratione. Primo quidem secundum rationem communem temperantiae ad quam pertinet quaedam moderata et conveniens proportio. . . . Alio modo quia ea a quibus refrenat temperantia sunt infima in homine, convenientia sibi secundum naturam bestialem ... et ideo ex eis maxime natus est homo deturpari. Et per consequens temperantiae, quae praecipue turpitudinem hominis tollit." 168 JOHN FEARON will we begin to gather the beauty of earth and heaven into our heads. Even from these few ideas on consonance two conclusions rather obviously follow. First, with respect to proportion a thing may be beautiful from one point of view but not from another. A man may be well proportioned corporeally but if he has not subordinated his lower appetites to reason and his reason to God he is spiritually and literally as ugly as sin. Second, since consonance regards not only the proper nature of each but also the circumstances of each one's existence, it is not only a general but also a very particular attribute of the beautifuL Clarity The third metaphysical element of beauty ofl'ers no difficulties. It is simply brilliance or splendor of form. Brilliance is originally associated with light and color. Light and color :render objects more visible. For example, in the dark it is unfortunately difficult to discern whether the door is open or shut or just ajar. Though clarity applies primarily to an accidental form, it is translated to apply also to substantial forms. 29 Forms or essences of things are not only their intrinsic principle of constitution but also the source of their intelligibility. In the world of corporeal nature these forms are mixed with their limiting counterpart, matter. Matter of itself is unintelligible. Hence, the more form succeeds in overcoming the limitation of matter and the less it is immersed in and :restricted by matter the more brilliantly form appears to our minds. Since immateriality is the principle of intelligibility, there is an ascending gradation in clarity reaching from material beings to Pure Act. The clarity of God is the source of all clarity in creatures. They are but reflections from the " font of all light." However, God Himself, though He is the summit of intelligibility, immateriality and cladty, exceeds the capacity of our created intellects. In this life our minds are unable to perceive •• ln de Div. Nom., c. 4, lect. 5: "Forma. autem a qua. dependet propria. ratio rei pertinet ad claritatem." THE LURE OF BEAUTY 169 His brilliance directly. They are like the eyes of the owl in the face of the noon-day sun. The world of nature is situated between two sets of faculties, one human, the other divine. 80 On our side we know the truths of this world because they are true. We love the goods of this world because they are lovable. We delight in the contemplation of the beauties of this world because they are beautiful. With God it is different. Things are true because He knows them. They are good because He loves them. They are beautiful because He made them so. God imparts beauty to all created beauty according to three orders of causality: efficient, final and exemplary. The divine beauty is efficiently causative in three ways: in imparting existence, in moving all things and in conserving all things in their being. From His beauty all things have received their existence. " From this beauty comes existence to all existing things." 31 But " clarity is also of the consideration of beauty. Every form through which a thing has existence is a certain participation of the divine clarity .... Similarly it is also said that consonance is of the reason of pulchritude. Whence all that pertains to consonance in any way whatsoever proceeds from the divine pulchritude . . . all concord of rational creatures as regards the intellect (for they who hold the same ideas are one in concord) , as regards friendship, communion in action, and universally whatever union creatures have, they have in virtue of this beauty." az 80 Q. D. de· Veritate XI, q. 1, a. !!: "Res ergo naturalis inter duos intellectus constituta, secundum adequationem ad utruinque vera dicitur; secundum enim adaequationem ad intellectum divinum dicitur vera in quantum implet hoc ad quod est ordinata per intellectum divinum ... ad intellectum humanum in quantum nata est de se formare veram aestimationem. . . . " 31 In de Div. Nom., c. 4, lect. 5: "ex pulchro isto provenit esse omnibus existentibus." •• In de Div. Nom., c. 4, lect. 5: "Claritas enim est de consideratione pulchritudinis. . . . Omnis autem forma, quam res habet esse, est participatio quaedam divinae pulchritudinis. • . . Similiter etiam dictum est quod de ratione pulchritudinis est consonantia; unde omnia quae qualitercumque ad consonantiam pertinet, ex divina pulchritudine procedunt, et hoc est quod subdit quod propter bonum divinum sunt omnia rationalium creaturarum ' concordiae ' quantum ad intellectum 170 JOHN FEARON What is the motive of this divinely beautiful Agent? "It is the nature of a perfect agent to act through love of what he has ... Because (God) has His own proper pulchritude, He wishes to multiply it through communication of His own similitude." 33 God's beauty exercises final causality inasmuch as " all things are made that they may somehow imitate the divine pulchritude. Third, it is an exemplary cause because all things are distinguished according to the divine Beauty, and a sign of this is that none care to represent or make effigies unless they are beatuiful." 34 A man enthralled by the beauty of reality naturally tends to express his reaction. Beauty elicits his artistic operations. It enters into the very shape and form of his painting and poetry. So too, the Divine Artist imitates His essence outside Himself. Imitation, of course, involves exemplary causality. IV In sketching what St. Thomas has to say about the conditions which give the beautiful its intelligibility, the discussion leads quite naturally to the source of integrity, consonance and clarity. It is like following the stream back to the pure crystal spring whence it began. It is a progressive inquiry in the line of causality. Having reached the ultimate in that direction it is necessary to about face and seek out the proper effect of beauty and its intuition. St. Thomas says that " beauty is that which being seen pleases." To complete an appreciation of what he means by that formula an explication of the final term is indispensable. A brief consideration of his doctrine on appetition in general is fundamental to an understanding of the exact (concordant enim qui in eamdem sententiam conveniunt), et amicitiae quantum ad affectum, et communiones quantum ad actum, 'vel ad quodcumque extrinsecum; et universaliter omnes creaturae quantumcumque unionem habet, hahent ex virtute pulchri .... " •• In de Div. Nom., c. 4, lect. 5: "Omnia enim facta sunt ut divinam pulchritudinem qualitercumque imitentur. Tertio, est causa exemplaris, quia omnia distinguuntur secundum pulchrum divinum, et hujus signum est quod nullus curat effigiare vel repraesentare nisi ad pulchrum .... " "'Ibid. THE LURE OF BEAUTY 171 nature of this delight. Having isolated it in its properly human mode, it will then be possible to delve into the more complex modes of delight in contemplation. The Angelic Doctor distinguishes three kinds of appetite: natural, elicited sense and the elicited intellectual appetite which is the will.sG The natural appetite is a tendency rooted in and identified with the nature of a thing for its proper good antecedent to apprehension. It has no need of apprehension because it is one with the determined nature. Hence it operates of necessity. The elicited sense appetite is a tendency to a particular good convenient to animal nature, following its sensile perception. The objects of this appetite are singular concrete goods. It desires this particular delectable object but never moves toward goodness in the abstract. Its movements are always accompanied by corporeal changes in the organism, the emotions. Unlike natural appetite it does not have a simple necessity in respect to its object but necessarily moves toward its good only after the perception of that good by sense. The elicited intellectual appetite is similar to the sense appetite in that it needs to be preceded by cognition. It differs in that it follows intellectual cognition which has for its object not only singular things but primarily universal essences. Because the intellect penetrates to universal truth it also penetrates to the universal reason of goodness. The only necessity associated with the will is in relation to this universal good, bonum in commune. As regards particular goods contained under this universal it is entirely free. Properly speaking, emotions are not found in the will, but its movements are parallel to those of sense appetite; hence we also speak of them as emotions: love, hate, fear, sorrow, joy, desire, hope, despair, anger and the rest. Now, just as the cognition of beauty was an accumulative process involving many faculties and many acts of these faculties but issuing into completion only in the fullness of intellectual judgment, so the charm peculiar to the experience of •• Q. D. de Veritate, q. 25, a. 1. JOHN FEARON beauty is also an accumulation of various appetites issuing in a special kind of delight. First of all, the natural appetites of sense and intellect are allayed. Beautiful things are proportioned in themselves and proportioned to the senses. " Sense derives pleasure from things duly proportioned, as being similar to itself, for sense too is a kind of ratio like every cognitive power." 36 The intellect also has a natural appetite for reality which is satisfied only in judgment where truth is found. " Truth itself is a certain good as intellect is considered as a thing and truth as its end." 37 On the side of elicited appetition, the emotion of joy in the sensile order must remain extrinsic to what formally constitutes the delight associated with beauty. The reason for this is that sense is incapable of any but a direct relation to the good. Its delight necessarily terminates in the object of sensibility rather than in the contemplation of that object. To assign the delight of knowing the beautiful to this faculty is to identify the beautiful and the good, a confusion certainly foreign to the mind of St. Thomas, who insists on their rational distinction.38 The presence of emotion in the esthetic sentiment is undeniable. However, as a disposition it contributes to the integrity rather than to the essence of the experience. Emotion also enters into esthetic delight by way of overflow from the well-being of higher faculties. Joy in knowing the beautiful is the satisfaction of our intellectual faculty of desire, the will, reposing in the proper good of its cognitive counterpart. 39 The happy exercise of the intellect coupled with a fullness of knowledge or truth produces the metaphysical well-being or perfection of this faculty, thus satisfying its natural appetite. This flowering of the intellect is 36 Summa Theol., I, q. 5, a. 4, ad lum: "Unde pulchrum in debita proportione consistit, quia sensus delectatlll' in rebus debite proportionatis, sicut in sibi similibus; nam et sensus ratio quaedam est, et omnis virtus cognoscitiva." 37 Su=a Theol., I, q. 82, a. 3, ad lum: "Unde et bonum quoddam verum est. Sed rursus et ipsum verum est quoddam bonum, secundum quod intellectus res quaedam est, et verum finis ipsius." •• Summa Theol., I-II, q. 27, a. 1: "Bonum dicitur id quod simpliciter complacet appetitui; pulchrum autem dicatur id cujus apprehensio placet." •• Su=a Theol., I-II, q .. 27, a. 1. THE LURE OF BEAUTY 173 immediately gathered up by the will, which then rests contented in the contemplation which its neighbor enjoys. For " the end and perfection of every other faculty is contained in the object of the appetitive faculty .as the particular is enclosed in the general." w Beauty is thereby establiShed in direct contact with the intellect and indirect and mediate contact with will. This complex relationship saves it from identification with either truth or goodness. " The beautiful is the same thing as the good; differing only conceptually. That being good which all things desire, it is of the nature of good that the appetite is allayed by it: but it is of the.nature of the beautiful that the appetite is allayed by the sight or knowledge of it . . . and so it is clear that 'the beautiful adds over and above the good a certain order to the cognitive potency. So, let that be termed good which simply gratifies the appetite; but let that be termed beautiful the mere apprehension of which gives pleasure." n To summarize briefly the connatural mode of delight in the beautiful: there is a natural soothing of the senses charmed by colors or sounds. There is a satisfaction of the intellect's natural desire for existent reality. The perfect vision of the intellect is gathered in by the subject's own elicited appetite which delights in it as in a good. Furthermore, as cognition of the beautiful is particularized, so too will be· the delight. This accounts for the delight connected with the 'properly human mode of appreciating beauty. It completes the explication of the Thomistic definition of beauty as that which being seen pleases. •• Bum'I1Ul. Tkeol., 1-11, q. 11, a. 1, ad 2um: " .... perfectio et finis cujuslibet alterius potentiae continetur sub objecto appetitivae sicut proprium sub communi. • . • Unde perfectio et finis cujuslibet potentiae, in quantum est quoddam bonum, pertinet ad appetitivam; propter quod appetitiva potentia movet alias ad suos fines, et ipsa consequitur finem quando quaelibet aliarum pertingit ad finem." ..1 Bum'I1Ul. Theol., I-ll, q. 27, a. 1, ad Sum: " ... pulchrum est idem bono sola ratione differens. Cum enim bonum sit quod omnia appetunt, de ratione boni est quod in eo quietetur appetitus. Sed ad rationem pulchri pertinet quod in ejus aspectu seu cognitione quietetur appetitus • . . unde sic patet quod pulchrum addit supra bonum quemdam ordinem ad vim cognoscitivam; ita quod bonum dicatur id quod simpliciter complacet appetitui, pulchrum autem dicatur id cujus apprehensio placet." 174 JOHN FEARON Again it would be unfaithful to St. Thomas and experience to pass over without comment the more perfect modes of delight in contemplation. Just as there are various and progressively more perfect grades both in knowing and in the knowable, there are also fuller and more perfect realizations of the delight associated with contemplation. The Angelic Doctor approaches his discussion. of these latter by carefully and precisely distinguishing a twofold joy found in contemplation. 42 The first springs from the very perfection of the cognitive act itself. " Delight follows upon a perfect operation." 43 The second is rooted in the object inasmuch as the beautiful is also the beloved. This is not a distinction between two totally different kinds of.delight. Again it is a matter of accumulation. The delight in seeing the beloved adds a new formaJity to the delight of perfect operation. For example, a man may delight equally in seeing two women of equal beauty. Yet if one of them is his wife he takes a special delight in seeing her. There are two reasons for this augmentation. Love stimulates the mind to an ever fuller knowledge of the beloved. It is characteristic of lovers to have lengthy conversations. They are anxious to find out more about each other, to know each other better. Again, love effects a material disposition in the will which blends itself into all the future movements of that faculty. Love makes the will capable of new and intense desires, new hopes, new fears, and fuller joys . .. Summa Tkeol., ll-ll, q. 180, a, 7: " ... aliqua contemplatio potest esse delectabilis dupliciter. Uno modo, ratione ipsius operationis, quia unicuique delectabilis est operatio sibi conveniens secundum propriam naturam vel habitum. Contemplatio autem veritatis competit homini secundum ·suam natw;am, prout est animal rationale. Ex quo contingit quod omnes homines natura scire desiderant: et per consequens et cognitione veritatis delectantur. Et adhuc magis fit hoc delectabile habenti habitum sapientiae et scientiae, ex quo accidit quod sine difficultate aliquis contemplatur.-Alio modo contemplatio redditur delectabilis ex parti objecti, in quantum scilicet aliquis rem a.mata.m contemplatur; sicut etiam accidit in visione corporali quae delectabilis redditur non solum ex eo quod ipsum videre est delectabile, sed etiam ex eo quod videt quis personam amatam. Quia ergo vita contemplativa praecipue consistit in contemplatione Dei, ad quam movet caritas ... inde est quod in vita contemplativa non solum est delectatio ratione ipsius contemplationis, sed etiam ratione ipsius divini a.moris." . 43 Aristotle, X Ethic. IV, 6; 1174, b2S. THE LURE OF BEAUTY 175 Obviously the delight which enters into the definitive formula of beauty is the delight concerned with intellectual operation. The joy in knowing is the proper effect of the natural mode of esthetic experience. Certainly this natural mode is greatly enhanced when the beautiful one is also the beloved. This love should be understood as the natural emotion of friendship. Just as human science, both metaphysical and moral, disposes the intellect and makes it capable of appreciating more intellectual beauty, so too human love disposes the will and makes it capable of an added delight in contacting the beautiful. Thus the full and integral stature of the natural mode of esthetic experiences emerges, no longer isolated in a definition, but adequately expanded to cover the totality of normal experience. This experience is common to good men and evil men alike. However, for its full appreciation one should be disposed by a certain amount of logical and moral discipline, and one should have the appetites well rectified. Mention has already been made of another mode of contemplation reserved for the good Christian. There is also a contemplative delight that is typically theological. With regard to this delight the same distinction between joy following perfect intellection and joy following upon knowing the beloved applies. However, the delight in simply knowing is not the precise formality of theological contemplation as it was in esthetic experience. Theological contemplation must have charity for its motive. Still this does not mean that it ceases to be contemplation, i. e., intellectual. It only means that the moving principle of this intellectual action is in the will.44 And just as it has its motive force from the affections it also terminates in affection. Yet, antecedent to this termination in the will another virtue intervenes to solidify the contact between man and God. The first effect of contemplation upon the will is to elicit an act of "Summa TheoZ., II-11, q. 180, a. 1: "Et propter hoc Gregorius constituit vitam contemplativam in < caritate Dei ' in quantum scilicet aliquis ex dilectione Dei inardescit ad ejus pulchritudinem conspiciendam. Et quia unusquisque delectatur cum adeptus fuerit id quod amat, ideo vita contemplativa terminatur ad delectationem, quae est in affectu, ex qua etiam amor intenditur." 176 JOHN FEAilON devotion from. the virtue of religion.46 Before the will of· man can fully rejoice in the knowledge of God he must surrender himself to the principle and end of his existence by devotion. The price of his joy is an enslavement to God, the will of promptly abandoning himself to whatever pertains to divine worship. 48 Only when thus clothed can spiritual joy seize upon his soul.41 He must not only be a lover of the Divine Goodness but a slave to the Divine Principle before he can hope to experience the Divine Beauty. And" this contemplation of divine things which is had by wayfarers though imperfectly is more delightful than all other contemplation however perfect it may be, because of the excellence of the one contemplated." 48 This experience develops in the life of a Christian as the gifts of the Holy Ghost become more operative and finally terminates in the vision of God in heaven of which the Psalmist says, " They shall be inebriated with the plenty of thy house; and thou shalt make them drink of the torrent of thy pleasure." 48 " Obviously the devotional approach .to theological· beauty is inescapable. Without the theological and moral virtues there can be no godly esthete. These virtues must "make straight the way " in the human will. Only he that loves is born to God and knows God. Theology itself no longer gropes after God under the common aspect of being. By building upon the principles of Faith which have fallen from His own lips it reverently contacts its object under the very aspect of His Deity. In this life it is limited by the darkness of Faith. Still it is a beginning of the full. vision of the Triune God in Heaven. Even these few considerations of esthetic experience and theological contemplation point out quite definitely two differ•• Summa Theol., ll-II, q. 82, a. S, ad 1um: " Consideratio eorum quae nata sunt dilectionem Dei excitare, devotionem causa.nt." •• Summa Theol., II-II, q. 82, a. 1: "Unde devotio nihil aliud esse videtur quam voluntas quaedam prompte tradendi se ad ea quae pertinent ad Dei famulatum." 07 Summa Tkeol., II-II, q. 82, a. 4: " ..• devotio per se quidem et principaliter spiritualem laetitiam mentis causat." •• Summa Tkeol., II-II, q. 180, a. 7, ad Sum: " Sed contemplatio divinorum quae habetur in via, etsi sit imperfects, tamen est delectabilior omni alia contemplatione qua.ntumcumque pcrlecta, propter excellentiam rei contemplatae." ••• Ps. 85, 9. THE LURE OF BEAUTY 177 ent ways of looking at beauty, two different approaches to " that which being seen pleases." One attains the beauty that is connatural to man. The other pursues the beauty that is connatural to God. Theology has God for its proper object. God is the focal point of Sacred Doctrine. The beauty of this world falls within the embrace of theology only inasmuch as it has an order to God who is the efficient, final and exemplary cause of all created beauty. On the other hand, the natural mode of esthetic experience concentrates on the beauty of this world which lies within the proper object of the human mind. Since man himself is most connatural to man, human persons and human affairs occupy the center of this stage. Ultimately these two approaches to beauty differ because the mind can take two different attitudes toward reality and can terminate in two different ends. In contemplating an image the mind can terminate upon the image itself, its colors and proportions, its intrinsic properties. But the mind can also approach an image precisely as an image and terminate in the thing for which it is an image. 49 For example, the local photographer and the proud father both gaze upon a photograph. The photographer centers his thoughts upon the photograph itself, the lights and shadows and arrangement. But the father centers his thoughts upon the bouncing baby boy of which the. picture is but an image. The theologian approaches this world as an image of God. For him the beauty of creation is but a symbol of the beauty of the Creator. His thoughts and affections do not terminate in the creature ·but tend toward God. The natural esthete concentrates upon the beauty intrinsic to the world. He takes the world quite literally. His thoughts and affections terminate in created beauty. This is the fundamental distinction between the two approaches to beauty. One takes the world literally and the other takes the world symbolically. One terminates in the beauty that is connatural to man. The other tends toward the beauty that is connatural to God. •• Summa Theol., ll-ll, q. 108, a. 8, ad Sum: "motus qui est in imaginem in quantum est imago refertur in rem cujus est imago, non tamen omnis motus qui est in imaginem refertur in eam in quantum est imago. Et ideo quandoque est alius motus specie in imaginem, et motus in rem." 178 JOHN FEARON v The step by step procedure from the obvious to the obscure in delving into the meaning of " that which being seen pleases " leads to a fuller appreciation of that formula in all its varied aspects. The gradual ascent of the mind brings ever more complex applications into view. However, this procedure has to be reversed before moral science can be brought to bear on these complexities. A full understanding of the morality of esthetic experience involves a descent from the vantage point of metaphysics. The metaphysician universalizes the factors of cognition, appetition, integrity, proportion and clarity. He reduces them to their basic characteristics. For him appetite is neither natural, sensile nor rational, but simply appetite. However, his generalizations do not proceed from logical confusion but from formal discernment. Only from this point of view is it possible to understand St. Thomas' statements about beauty and good. Beauty, like goodness, is primarily in things, in objective reality. The Angelic Doctor says, "The beautiful is the same thing as the good, differing only conceptually. That being good which all desire, it is of the nature of good that the appetite is allayed by it; but it is of the nature of the beautiful that the appetite is allayed by the sight or knowledge of it . . . and so it is clear that the beautiful adds over and above the good a certain order to the cognitive potency. So, let that be termed good which simply gratifies the appetite, but let that be termed beautiful the mere apprehension of which gives pleasure." 50 The first thing to note about this text is that being is the basic point of :reference. The same reality is both beautiful and good. However, they are not to be totally confused. Each has a proper formality. Good adds to the notion of being a transcendental relation to the appetite. Beauty adds to a being a transcendent intelligibility which contacts the cognitive potency directly and the appetite indirectly. In differentiating goodness from beauty the cognitive and appetitive potencies are intro•• Summa Theol., I-II, q. !'l7, a. 1, ad Sum. THE LURE OF BEAUTY 179 duced as correlative points of reference. In this passage, St. Thomas does not probe into the reasons in being which underlie the different relations. In other places he consistently assigns integrity, and clarity as the proper reasons of beauty. 51 In speaking more deliberately of the good he also consistently assigns mode, species and order as the proper reasons of good. By mode he understands a commensuration to material and efficient principles prerequisite to form. Being outside these causes the form has existence; by species he understands the specifying form itself; by order he understands an inclination to an end, or a final cause. 52 Mode, species and order are the reasons in being underlying its transcendental relation to appetite which constitutes the good. Good thus has the character of a final cause. Integrity, consonance and clarity are the reasons of beauty which order beauty to cognitive potency. This gives beauty the character of a formal cause. In reality beauty and goodness are the same thing. Conceptually they differ. This is the general outline of the metaphysical analysis of beauty and goodness. For a fuller understanding of the connection between beauty and goodness, and in order properly to synthesize the two, it is necessary to delineate with accuracy the precise roles of mode, species and order in good, and integrity, consonance and clarity in beauty. First, as regards good St. Thomas says that the word has a double signification. It signifies not only the relationship of perfectibility but also the basis or cause of that relationship. He says that order is the relationship itself, species and mode the cause. Species and mode materially dispose the object and render it remotely appetible. To be an end, to be perfectible of another, is what formally completes the reason of good. 58 This order or transcendental relation in good to reduce "'Summa Theol., I, q. 89, a. 8. •• Summa Theol., I, q. 5, a. 5. Q. D. de V eritate XI, q. 21, a. 6: "Et per hunc modum ratio boni respectum implicat: non quia ipsum nomen boni significat ipsum respectum solum, sed quia significat id ad quod sequitur respectus, cum. respectu ipso. Respectus autem qui importatur nomine boni, est habitudo perfectivi, secundum quod aliquid natus est perficere non solum secundum rationem speciei, sed secundum esse quod habet 180 JOHN FEARON an appetite into efficiency is the formal element among the three proper reasons of good. Order is what gives the good the character of a :final cause. Beauty also signifies both a reference or order to cognitive potency and the basis or cause of that reference. Clarity is what formally completes the reason of beauty. Integrity and proportion materially dispose the object. For example, color is the material cause in the object of sight, but light is what formally completes the reason of visibility. 5 " Clarity itself implies arelationship to cognitive potency just as order itself implies a relationship to appetite. Integrity and consonance are the dispositions for clarity just as mode and species are the causes which render the good perfectible of another. The assimilation of beauty .by a cognitive potency presupposes integrity and consonance. But information actually takes place because of the clarity of form: This element of beauty which enables it to inform or actualize a cognitive faculty is the formal complement among the three proper reasons of beauty. St. Thomas gives the basis for synthesizing these various reasons of good and beauty by taking appetite as the basic point of reference. " That the appetite terminates in good, in peace and in beauty does not mean that it terminates in diverse things. From the very fact that one desires the good one also desires beauty and peace: beauty inasmuch as the thing is modified and specified in itself, which is included in the reason of good: but good adds the order of perfectibility to another. in rebus. . . . Sic igitur inter ista tria qua.e Augustinus ponit, ultimum, scilicet ordo, est respectus quem nomen boni importat; sed alia duo, species scilicet, et modus, ca.usant ilium respectum. Species enim pertinet ad ipsa.m rationem speciei; qua.e quidem secundum quod in aliquo esse habet, recipitur per aliquem modum determinatum, cum omne quod est in aliquo sit in eo per modum recipientis. Ita igitur unumquodque bonum in quantum est perfectivum secundum rationem speciei et esse simul, habet modum, speciem et ordinem. Speciem quidem quantum ad ipsa.m rationem; modum quantum ad esse; ordinem quantum ad ipsam habitudinem perfectivi." •• I Sent., d. 45, q. 1, a. 1, ad 1um: "in objecto alicujus potentiae est duo considerare: scilicet illud quod est materiale, et illud quod formaliter complet rationem objecti, sicut patet in visu: quia color est visibile in potentia, et non efficitur visibile in a.ctu nisi per a.ctum lucis. Similiter dico quod illud quod formaliter complet rationem voliti est finis, ex quo est ratio boni. . . . " THE LURE OF BEAUTY 181 Hence whoever desires the good by that very fact desires beauty." 55 From this it is clear that the proper reasons of beauty, both formal and material, a:re regarded by the appetite as the material reasons of good. However, since the formal element of beauty has the character of a formal cause it is properly related to cognitive potency just as the formal element of good which has the character of a final cause properly relates it to appetite. But what is formal in beauty is only material in the good. From this metaphysical point of view the :reasons of beauty are an approach to good and the inseparable companion of the good. However, as these reasons are contracted and applied to different subjects important adjustments must be made. When God is the subject of beauty and good they are reduced to unity. In God there is no distinction between the reasons of goodness and His Good, between the reasons of beauty and His Beauty. "In the first cause, namely God, a distinction must not be made between beauty and pulchritude (the reason of beauty) so that His Beauty would be something different from His pulchritude. This is because the first cause contains all things in oneness because of His simplicity and perfection. Though in creatures beauty and pulchritude differ, in God they are contained as one and the same thing .... " 56 God is supersubstantially beautiful and the supreme and only purely honest good, the final cause of all that is. The enjoyment of His Beauty is inseparable from the love of His Goodness. In creatures, however, the reasons of beauty and goodness are contracted and participated in multiplicity. Creatures have beauty and goodness. They are not beauty and goodness. Furthermore, in creatures there are various levels of beauty and 55 Q. D. de Veritate XI, q. 9!2, a. l, ad l!ilum: "appetitum terminari ad bonum et pacem et pulchrum non est terminari in diversa. Ex hoc enim ipso quod aliquid appetit bonum, appetit simul pulchrum et pacem: pulchrum quidem in quantum est in seipso m:odificatum et specificatum, quod in ratione honi includitur; sed bonum addit rationem perfectivi ad alia. Unde quicumque appetit bonum, appetit hoc ipso pulchrum .... " •• In de Div. Nom., c. 4, lect. 5: " ... in causa prima, scilicet Deo, non sunt dividenda pulchrum et pulchritudo, quasi aliud sit in eo pulchrum et pulchritudo; et hoc ... propter sui simplicitatem et perfectionem .... " 3 182 JOHN FEARON goodness. There is a physical beauty of body and a spiritual beauty of soul. Certainly the truly beautiful man will be a complexus of these various participations though the mind can isolate one or another according to its tastes. There is also a created participation of the honest good. Virtue is sought for its own sake. But actually even virtue has an aspect of utility in that it is a means to beatitude. The entitative good of existence, of course, is common to all. Corporeal beauty is often associated with utter uselessness. Feminine charm can lead the soul of man away from God. The best cooks are sometimes quite ugly. In creatures the beautiful and the good are not necessarily one and the same thing as in God. The isolated beauty of the creature is not always the infallible approach to man's true good. The morality of esthetic experience depends ultimately on the coincidence of beauty and goodness. There is no problem about the morality of beatitude. Nor is there any problem about the theological approach to beauty. Theology has God for its object and views created beauty as a symbol leading to fuller knowledge and deeper love of God. God is the infinite and ultimate honest good. Knowing Him and loving Him and serving Him is the highest moral perfection of man. Only pride can turn this to man's condemnation. But the case is quite different with the natural mode of esthetic experience, which takes created beauty quite literally, rests in its isolated perfection and enjoys its soothing effects. When beauty is taken out of its divine context and severed from the commensuration of the honest good, it is not necessarily good in itself. It can be good or bad depending upon the attitude man takes toward it. Prudentially considered, this type of esthetic experience is only a useful good. It is for man's recreation. It is a remedy for the pain of weariness from the day's toil. It refreshes the soul in preparation for tomorrow's work. And work is ordained ultimately to contemplation. Only when thus ordered to the honest good does the natural mode of esthetic experience assume the character of true moral goodness. THE LURE OF BEAUTY 183 VI But this unfortunately is not the way the moderns look at beauty. Their historic disregard for the truths of philosophy and theology makes them easy prey to the lure of beauty. With unfailing ingenuity they confuse the natural and the sublime and level of perfections which should remain sharply distinct. The modern approaches the beauty that is connatural to man with all the devotion that belongs to the beauty that is connatural to God. He endows the natural mode of esthetic experience with all the advantages and none of the disadvantages of theological contemplation. Since the analytical notion of contemplation applies somehow to both he drops out the perfections of each and picks and chooses to his heart's content. Apparently in possession of all the grandeur of theology and philosophy, he becomes progressively more confirmed in his distaste for" scholastic encumbrances." The palpitating satisfactions of a mangled esthetic are readily available to the ingenius and the artistic. But the unfortunate result is that a mind which was made to know God is satisfied in knowing itself. For infatuated with the child of his own intellect, the modern distains that "Child" of the mind of God, the Incarnate Word which is the only source of fallen man's return to wisdom. Having abandoned the solid moorings of truth and goodness it is little wonder that modern artists have turned to cultivating the ugly. With self-expression as a first principle their art necessarily conforms to themselves. In a measure the beauty of nature satisfies man's desire to know the concrete individuaL Its effulgence and intelligibility make this possible. However, to emphasize the common notion that esthetic experience is intuition of the material individual and to deny the further limitation that this presupposes beauty in the object paves the way for the art of ugliness. The next step is to eliminate the conditions of beauty and impose by art an intelligibility that is neither true nor good. Hence, in the interests of complete freedom the modern masterpiece is utterly ugly. Furthermore, in the very rational and analytical notions of 184 JOHN FEARON beauty and good there is a certain coincidence which is realized fully only in God. The modern applies that coincidence quite shamelessly to the creature. This confusion completes his abandonment of classic Christianity and rounds out his new religion of culture. He makes man's perfection consist in a life devoted to beauty for its own sake. Since his beauty is automatically good there is no need for the rigors of religion and the discipline of the sacraments. There is no need for virtue. There is no need for mortification. His cult is culture. Deep insights, intuitions and genius are his code. Beauty for its own sake is his creed. Like the chemist who isolates oxygen, the modern pursues beauty in a free state, liberated from God and liberated from the Church. But what the modern makes his perfection the Saints have shunned for folly. The Saints first looked after goodness and truth and beauty took care of herself. What the moderns need is a return to goodness and truth, to virtue and theology, then "beauty will take care of herself." JoHN FEARON, Dominican House of Studies, Washington, D. C. 0. P. INSTINCTIVE ESTIMATION OF PRACTICAL VALUES P LANTS, animals, and men are contingently vital beings, and as such are. subject to constant attacks by other forces which threaten to deprive them of their perfection of vitality. They must be able to orientate themselves properly to the world of external reality if they are to continue on in a state of life. Activity of many sorts is incumbent upon all of them if they are to live; but the activity demanded for life is not a disconnected, random activity, nor is it merely a speculative activity concerned only with contemplation of truth as such. In the plant domain there is no knowledge, no possibility of self-determination-in short, there is no psychic consciousness of any sort. But in the animal and human kingdoms there is a conscious life. The animal and the man must become aware of values, of subtle overtones accruing to each and every object of external reality existing in the milieu in which animal or man must seek the conditions needed for maintenance of life. This knowledge is not a speculative knowledge, it is interested rather in action. But art and prudence also are intetested in action, and as a consequence it might be objected that there is confusion here in our distinction. Let it suffice to note that art and prudence are virtues of an intellectual nature, that their knowledge has a certain rational element which differentiates it from the pure sense knowledge which we encounter on the first level of psychic life. Moreover, the knowledge of art and prudence is orientated toward supplying the conditions for a higher type of life, a type not demanded for the simple predication of life on the physical level. The knowledge and consequent activity which men and animals share are concerned with the maintenance and propagation of physical life; their proper causality never rises above the sentient order. These capacities 185 186 WILLIAM A. GERHARD for knowledge and action on the sense level are traditionally called instincts, and our purpose is to investigate their nature. To categorize briefly the methods of considering instincts, we may say that instincts can be considered as psychophysiological phenomena of the cognitive order, or as biological functions. Those adopting the latter point of view may be divided into the mechanists and the vitalists. We are not as yet interested in investigating the nature of the knowledge of instincts, the transcendental relationship existing between this type of knowing power and the external world. We are here on the first level of abstraction where we shall consider properties of material vital forms by that abstraction proper to the biological sciences. Instinctive activity is a phenomenon that has been one of the first properties of animal life remarked by all observers of vital activity. And among the striking characteristics of instinctive activity, its purposeful and unlearned method of functioning is paramount: from the very moment of birth creatures endowed with locomotion move about in their environment in such wise as to seek and appropriate those things which are conducive to the maintenance of life. The sensations that rush pell mell are in some manner sifted and judged, whereupon the useful are responded to positively and the harmful negatively. That is the fact-the explanation is more doubtful. Is there some factor in the instinctive process which is not to be predicated of the matter as such, but rather is a principle entangled in the matter of the body? We have arrived at the point whence arose two schools of biological thought, the Mechanists and the Vitalists. 1 With the doctrine of Descartes the great dichotomy of reality was effected: all things could be classed either as spiritual, or thought, reality-in this realm all extension was excluded, or as matter, or extended reality-here all thought was excluded. The psychic was co-extensive with the realm of thought, and all outside of the psychic was to be equated with matter. 1 I do not intend to' go into a historical study of the doctrines on instinct held by various philosophers and ,psychologists. An excellent historical treatise on this matter can be found in the book of J. Drever, Instinct in Man, cc. 1-3. INSTINCTIVE ESTIMATION OF PRACTICAL VALUES 187 Descartes is the first man we wish, to consider, not so much because of any important doctrine that he might be able to render on the nature of instincts, as because he is a source of influences that were later to bear upon the development of the concept of instincts. The passions of the soul are to be distinguished, according to him, from those of the body. The passions of the soul are all those perceptions or cognitions found in us which are not caused by the soul, and which derive from things from without. 2 But to be a passion of the soul properly so called, such a perception cannot have any cause other than the soul. Of such a nature are joy, anger, and other psychic states caused either by excitation of the nerves or by some other cause. 3 The perceptions or passions of the body are hunger, thirst, and other such natural appetites, to which affective states such as " pain, heat and other affective states which we experience in our members " can be joined. These affective qualities are not in the objects outside us, but in ourselves. 4 Descartes did not interest himself in a psychological investigation of these perceptions or passions, for he considered the passions explicable in terms of animal spirits which were transmitted along the nerves. 5 He did, however, have some idea of what shall later be refined into the concept of an instinct. The external world arouses in us various passions not because of qualities in the physical objects, but because of the different manners in which they aid or harm us. The passions dispose the soul to desire things which are by nature of use to the organism, and which ordinarily dispose the body to execute actions whereby we shall carry out some activity encompassing a useful end. 6 Descartes, Les Passions de l'Ame, part I, art. 17. Ibid., part I, art. 25. • Ibid., part I, art. 24. • Ibid., part I, arts. 27 and 46. • Ibid., part ll, art. 52: " Je remarque outre cela, que les objets qui meuvent 2 8 les sens n'excitent pas en nons, diverses passions a raison de toutes les diversite qui sont en eux, mais seulement a raison des diverses fao;;ons qn'ils nons peuvent nuire on profiter, on bien en general etre importants; et que l'usage de toutes les passions consiste en cela seul qu'elles disposent l'ame a vouloir les choses que la nature dicte comme aussi la meme' agitation des nons etre ntiles, et a persister en cette esprits qui a coutume de Ies causer dispose le corps aux mouvements qui servent a !'execution de ces choses .... " 188 WILLIAM A. This is an important observation by Descartes, for it is pregnant with meaning for the theory of instinct. But Descartes is more important in the history of the theory of instinct because of the framework of thought which he set up, and within which he confined all speculation on vital phenomena. We should not be deceived, by the statements set forth by Descartes in his treatise on the passions of the soul, into thinking that he is a vitalist. For Descartes there were only two realities, extension and· thought.· These were mutually exclusive. Thought and all psychic processes-passions, sensations, etc.-were the attributes of the soul; and the soul was predicated of man alone. All that was below man, even though it exhibited vital phenomena, was not psychic but only mechanic, determined by laws of chemistry and physics. Thus was set up a dichotomy of reality which forced all investigators to attribute vital manifestations to the rational soul alone, and to deny all vital predicates to those beings which are not rational. This means that the animal nature was to be regarded as a machine incapable of any psychic activity. With the philosophical tenets furnished by the Cartesian teachings, biologists could approach the study of nonrational, or animal, life with the preconception that all phenomena found. there would be explicable by the same principle used in the realms of physics and chemistry. 7 In the more elaborated forms of the mechanistic interpretation of vital activity, we find two chief trends: one explains life on the basis of tropism, the other on the basis of reflex action. Of the tropism theory, Loeb may be cited as the chief proponent among modern biologists, while Spencer and Pavlov are well known for their advocacy of the reflex theory. 7 Malebranche, a direct disciple of Descartes' teaching, gives fine expression to the logical results of the Cartesian dichotomy when he says: "Les animaux n'ont done ni intelligence ni ame, comme on l'admet habituellement. Tis se reproduissent sans le savoir, ils ne souhaitent rien. Tis mangent sans satisfaction, ils crient sans souffrances, ne craignent rien, ne connaissent rien et, lorsqu'ils agissent d'une fac;on qui semble indiquer de !'intelligence, c'est parce que Dieu a cree les animaux pour les maintenir en vie et qu'il a forme leurs corps de telle fac;on que machinalement et sans crainte ils eyitent tout ce qui pourrait amener leur perte." Quoted by F. Buytendijk, Psychologie des Animaux, INSTINCTIVE ESTIMATION OF PRACTICAL VALUES 189 According to Loeb the current idea of instincts as manifestations of purposeful behavior irreducible to physico-chemical principles is a " diehard " remnant of the old a priori doctrine of "design" in the universe. 8 The truth can be learned about instincts by showing that they are founded on principles which are valid in physics. The most striking phenomena to prove the purely material nature of instinctive activity are to be found in cases of heliotropism. There are other types of tropisms which play an important part in instinctive action, such as chemotropism and stereotropism, but Loeb has dealt primarily with the heliotropism in his book The Organism as a Whole. The positively heliotropic animal cannot tear itself loose from the attraction of light, for it is bound to seek the light with the same blind determinism that marks any chemical or physical reaction. Thus Loeb explains the basis of his theory: . . . Animals possess photosensitive elements on the surface of their bodies, in the eyes, or occasionally also in epithelial cells of their skin. These photosensitive elements are arranged symmetrically in the body and through nerves are connected with symmetrical groups of muscles. The light causes chemical changes in the eyes (or the photosensitive elements of the skin). The mass of photochemical reaction products formed in the retina (or its homologues) influences the central nervous system and through the tension of energy production of the muscles. If the rate of photochemical reaction is equal on both eyes this effect on the symmetrical muscles is equal, and the muscles of both sides of the body work with equal energy; as a consequence the animal will not be deviated from the direction in which it was moving. This happens when the axis or plane of symmetry of the animal goes through the source of light, provided only one source of light be present. If, however, the light falls sidewise upon the animal the rate of photochemical .Teaction will be unequal in both eyes and the rate at which the symmetrical muscles of both sides of the body work will no longer be equal; as a consequence the direction in which the animal moves will change. This change will take place in one of two ways, according as the animal is either positively or negatively heliotropic; in the positively heliotropic animal the resulting motion will be toward, in the negatively heliotropic from, the light. Where we 8 J. Loeb, The Organism as a Whole, 288. 190 WILLIAM A. GERHARD have no central nervous system, as in plants or lower animals, the tension of the contractile or turgid organs is influenced in a different way, which we need not discuss here. 9 That these tropistic actions are beneficial to both the individual and the species-thus fulfilling all the purposes for which the concept of instincts was instituted as an explanation of a particular type of vital activity- is proved by Loeb from his experiments with the caterpillars of Porthesia chrysorrhea. 10 Loeb's theory, therefore, reduces all explanations of vital phenomena to a strict mechanism, and offers as corroboration of its tenets definite experimental proof. But biologists have not been unanimous in their acceptance of his explanations. Buytendijk and Jennings have examined the statements of Loeb and have found them insufficient; consequently, our attention must now turn to the refutation of the tropism theory. Jennings has done extensive work in investigating the validity of the tropism theory, and through his experiments with infusoria he has added many facts which cause doubt to be thrown upon this theory. According to Jennings there are two main points in this theory: (1) All movements of organisms, be they approach or flight, can be attributed to orientation, by which is meant that, without any self-determination on the part of the organism, it must either approach or withdraw from the source of stimulation. (2) The stimulating force controlling movement does not produce its effect upon the whole body but only upon that " Ibid., ° Cf. ibid., 280-288. Loeb extends his tropism theory to explain certain activities 1 in higher animals such as man. For instance the love a man has for a woman is only a complex tropism consisting of secretions of the sexual glands into the blood stream, coupled at the same time with memory images of the beloved. Removal of the sex glands will cause the disappearance of the affection. "L'amour constant d'un homme pour un sujet feminin determine nous peut apparaitre comme un exemple de volition persistante et pourtant c'est un tropisme complique, par lequel des substances des glandes sexuelles sont deversees dans le sang et, des images mernoratives definies en sont les facteurs determinants. L'ablation des glandes sexuelles fait disparaitre !'amour et Ia substitution des glandes sexuelles d'un sujet par celles d'un autre sexe conduirait a l'inversion totale des instincts sexuels." Quoted by Buytendijk, op. cit., 58-54. INSTINCTIVE ESTIMATION OF PRACTICAL VALUES 191 part where it directly impinges. In those parts of the body which are directly affected, it causes direct changes in the state of contraction of the motor organs of the directly affected part of the body, and to these direct changes is due the movement of the organism. 11 The problem, then, shapes up into two questions to which an answer must be sought: (1) Is the behavior we observe in these organisms brought about by orientation in the manner demanded by the tropism theory? (2) Is there conclusive evidence that the stimulus acts directly up the motor organs of that part of the body which the stimulus affects? We shall here set down the results obtained by Jennings from his experiments in which he subjected small organisms to various types of stimuli. 1. Reactions to mechanical stimuli. The mechanical stimuli consisting of touching or striking the body with a hard object over a definite area do not serve too well to set up the conditions necessary for a tropistic reaction; but they will serve to give us some general information on the reaction to stimuli. Mechanical shock as a rule causes animals to turn away from the source of the stimulus, and in higher animals the turning away is usually from the side stimulated. What is worthy of note is that Jennings finds that in ciliate infusoria the movement of avoidance is not due to an external but to an internal factor: sylonychia turns to the right whether it is stimulated on the right or the left side, the dorsal area, or the anterior end. Consequently, we cannot say that the action is merely upon the motor organs of the part stimulated, for if this were so there would be no explanation for this constant turning to the right 11 Jennings, Behavwr of Lower Organisms, 92. In the same place he gives the following quotation from Loeb in which these two points are set forth: " The explanation of them (the tropisms) depends first upon the specific irritability of certain elements of the body surface, and, second, upon the relations of symmetry of the body. Symmetrical elements at the surface of the body have the same irritability; unsymmetrical elements have a different irritability. Those nearer the oral pole possess an irritability greater than that of those near the aboral pole. These circumstances force an animal to orient itself toward a source of stimulus in such a way that symmetrical points on the body surface are stimulated equally. In this way the animals are led without will of their own either toward the source of stimulus or away from it." 192 WILLIAM A. GERHARD no matter where the stimulus is applied. The organism must react as a whole, and directly, to the stimulus-not partially and indirectly. How else can this constancy of action be explained? 12 Studies on the reaction of the flatworm to mechanical stimuli have been made by Pearl, and from his experiments he concludes that when the flatworm turns towards the source of stimulation in a positive reaction the cause is not to be sought in the simple explanation of the motor organs of the stimulated part reacting alone and directly, but rather in the unified response of the organism. A light stimulus, when the organism is in a certain definite condition, sets off a reaction involving (1) an equal bilateral contraction of the circular musculature, producing the extension of the body; (fl) a contraction of the longitudinal musculature of the side stimulated, producing the turning toward the sti:rtmlus (this is the definitive part of the reaction); and (3) contraction of the dorsal longitudinal musculature, producing the raising of the anterior end. In this reaction the sides do not act independently, but there is a delicately balanced and finely coordinated reaction of the organism as a whole, depending for its existence on an entirely normal physiological condition.13 Such experimental data serve to throw no little discredit upon the postulate of the tropism theory in which it is stated that all movement is explicable by the reaction of the motor organs in the part directly stimulated. For here we see the entire musculature reacting with a unified movement in response to a stimulus. 2. Reactions to chemicals. Considering reactions of this type as they bear upon the postulate concerning the orientation to stimuli which the organism is forced to assume by the nature of the stimuli, Jennings concludes from his studies in various sorts of Ciliata, Bacteria, Flagellata, Rotifera, and flatworms, that nowhere has the typical reaction been found to take the form demanded by the tropism theory. In these organisms he has observed a certain motor reflex consisting of a '"Jennings, op. cit., 94-95. 18 Quoted by Jennings, op. cit., 95. INSTINCTIVE ESTIMATION OF PRACTICAL VALUES 193 backing away, followed by a turning toward a structurally defined side, but without any regard for the direction whence comes the diffusion of the chemical. According to the tropism theory, the organisms should assume a definite position to the stimulating source, which should figure as the dominating factor in determining action of these organisms, but the facts deny this postulate. 14 3. Reactions to .light. The phenomenon manifested in the reaction to stimuli of light has served as the chief basis for the theory of tropisms. In the presence of light the organism usually shows a definite orientation towards the source of the stimulus: the axis of the body will usually move parallel to the light, be it in approaching or retreating from the light. This fact appears to serve as fine corroboration of the tropism theory, but the matter must be more thoroughly investigated. The question remains whether or not this orientation takes place with the determinism characteristic of the physical laws which the tropism theory claims explain all vital activity. In the case of bilateral animals, it is found difficult to test the theory because the animals may turn toward either side, and, consequently, it is a problem whether the turning is due to the direct action on the motor organs of the part affected, or is the result of the organism reacting as a whole to a stimulus because of some physiological change induced by the stimulus. 15 Jennings has carried on experiments with Stentors having a negative phototaxis; the point he wished to show was that these animals turned away from light not in a reaction to a difference in illumination, as the tropism theory demands, but rather in reaction to a structurally defined side without any regard for the direction whence the light comes, or for the side of the >.ovro.< aAA?]Ao