THE THOMIST
A SPECULATIVE QUARTERLY REVIEW
OF THEOLOGY AND PHILOSOPHY
EnnroRs: THE DoMINICAN FATHERS OF THE PRoviNCE oF ST. JosEPH
Publishers: Sheed and Ward, Inc., New York City
VoL. VIII
APRIL, 1945
THE LURE OF BEAUTY
ROM THE fifteenth century to the present day the
western world has been drifting with more or less gay
abandon from the solid moorings of truth and goodness.
This vagrancy has been marked by two trends: an abandonment
of scientific philosophy and theology in favor of the elevating
experiences of esthetics, and a departure from classic Christianity under the guise of pursuing culture. The moderns give
full expression to this now ancient vagabondage as they chant
of the dawn of a new era of culture and revel in rhapsodies on
art and beauty.
Now, the allurements of beauty are very old. But they become extravagant when man despises true wisdom and departs
from moral goodness. The temptations of esthetics are many.
The mind of man has a desire to penetrate the material world
about him. In a limited way the esthetic experience satisfies
this desire, but at the same time it feeds the false hope that man
can exceed his intellectual perfection, which here below consists in universal truths, and rival the divine and angelic in149
150
JOHN FEARON
tellects in their total exploitation of the concrete individual.
In the face of a reluctance on the part of the material world to
expose its inner self to the human mind man artfully contrives
to give matter an intelligibility not its own in an attempt to
elucidate the beauty of his world. Loving the child of his own
mind fosters in man the temptation to rest in his image and
exult in his own self-expression. In a way this flatters the same
presumption that toppled Adam-that man can be the principle
of his own perfection. And just as there is a possibility of confusing the merits of esthetic and philosophic knowledge, there is
the possibility of confusing the beautiful and the good. Succumbing to this temptation leads to the modem cult of culture.
Disregard for truth and goodness makes the modern an easy
target for the wily one who capitalizes on any and all temptations. But sound doctrine can reduce the potentiality of these
temptations and rob beauty of its deceptive lure. The fundamental ideas of St. Thomas on beauty are the surest road to a
realization of the distinctions and limitations which belong to
esthetics.
St. Thomas lived in a beautiful age, sometimes called the
greatest of centuries. True, his observations on the beautiful
are scattered through his works in terse phrases pregnant with
meaning. He merely pauses to give a definition, to indicate
beauty's relationship to the good or to assign its place in the
Trinity. But this process is natural to the rapid pace at which
a theological synthesis must travel. Furthermore, it is well to
bear in mind that Divine Providence had definite designs upon
the genius of the friar from Rocca Sicca. In doctrinal matters
St. Thomas had one intent and purpose: to establish theology
as a strict science, the most perfect of sciences. IDtimately this
involved the production of a " summa " of Sacred Doctrine for
beginners. The magnificence of this work has been recognized
through the centuries, sometimes even with the silent encomium
of resting on the shelves reserved for research and reference.
Eric Gill once said " look after goodness and truth, and beauty
will take care of herself.'' 1 The Angelic Doctor took care of
truth.
1
Eric Gill, Beauty Looks After Herself, Sheed & Ward, N. Y. 1933, p. !M5.
THE LURE OF BEAUTY
151
Pope John XXII gave Thomas Aquinas the title of Saint.
Pope Pius XI gave St. Thomas Aquinas the title of Universal
Doctor. This paper is not undertaken in the pontifical spirit
which would add the tile of Esthete to those of Saint and
Doctor. But perhaps it may help to lead the moderns back to
truth and goodness. Then" beauty will take care of herself."
I
In attempting to piece together the scattered fragments of
St. Thomas' esthetics into an integrated whole, harmonious
with the rest of his synthesis, the usual methodology of proceeding from the more known to the less known is indispensable. This procedure demands first of all that an accurate
though indistinct notion of the basic formality of beauty be
culled from the obvious.
From the viewpoint of logic and predication two facts are
obvious. First, we predicate the term beautiful of totally
diverse subjects. With a trace of poignance in the voice we say
that a symphony is beautiful; with the trill of youth the same
term is also predicated of certain characters of Hollywood fame.
Some classes of men are quite lavish with the word when referring to flowers and sunsets; the more religious will reverently
say that Mary is beautiful, that Christ is beautiful and that
God is beautiful. The second obvious fact gleaned from our
manner of speaking is that beauty, though predicated of diverse
things, is not used to designate all the individuals of any one
class. We say that certain individual women are beautiful, but
we do not apply the term indiscriminately to all women. The
inescapable truth is that some women are ugly. Though all
enjoy the same nature and the same femininity, reliable opinion
refuses to concede that all are beautiful. Thus it appears that
beauty is actually a composite characteristic embracing considerably more than essential constituents. As might be expected, the observant Aristotle was quite aware of the strictly
personal character of beauty and its peculiar incommunicability.2 He noted that association with the beautiful does not
s Aristotle, Problemata,
Bk. XXIX, 95la.
152
JOHN FEARON
produce beauty any more than association with the healthy
produces health.
In the order of experience two more facts are obvious. Quite
certainly esthetic experience is knowledge of some sort. On the
one hand sensile perception alone seems insufficient for the
discernment of beauty. On the other, it stands opposed to the
labored abstraction and discourse of reason typical of scientific knowledge. Knowledge of beauty is somehow intuitive. 2 "
Hence, knowledge of the beautiful eludes the mode of truth
which concentrates on the abstractive nature ofthe knowable.
It penetrates deeper and tends to exhaust the concrete complexities of the individuaL To sum it all up, this knowledge is
:intellectual, but somehow exhaustive and intuitive, like vision.
Our consciousness of beauty also includes delight. Esthetic
experience is happy. It gives spice to work-a-day existence and
refreshes the soul weighed down with care. Yet, thi.s delight is
something more noble than the joy engendered by tasty food
and fine old wines. It is a delight consequent upon knowing
the beautiful. We say we are delighted by the sunset. Actually
we mean that we are delighted with the perception of the sunset. In his simple wisdom St. Thomas captured all this in four
words: " Beauty is that which being seen pleases." 3
To ponder the obvious in this way may seem useless. Yet
only the obvious can provide the vague but all-important formalities which make it possible to plumb the depths of the
obscure. In the case of beauty these initial reflections quite
convincingly indicate that beauty involves the exhaustive
intuition of the whole individual with a consequent delight in
that intuition. "Beauty is that which being seen pleases."
Equipped with this formal notion as with an instrument it is
2 • It will be clear from the context that the term " intuition " is not employed
in this article in the sense of an immediate intellectual vision of the concrete individual. St. Thomas denies the possibility of such a vision to the human intellect in
its present state of union with the body. Here the term is used to indicate the
direct experience of the individual that man is capable of through the united
activities of his sense and intellectual faculties. Cf. "Notes on Intuition," by M.
de Munnynck, 0. P. in The Thomist, Vol. I (1939), pp. 143-168.
3 Summa
Theol., I, q. 5, a. 4, ad lum: "id quod visum placet."
THE LURE OF BEAUTY
153
possible to clarify the more difficult concepts and answer
questions of a more basic nature.
n
In n.atural philosophy the vague concept of motion makes it
possible to formulate a more precise concept of nature wherein
motion is found. Similarly a vague notion of the formalities
specifying cognition enable one to discover the deeper truths
about the faculty wherein cognition is found. In like manner
the germinal observation that esthetic experience is a full intuition of the individual directly implicates the human intellect as
the subject of that experience. This approach leads immediately
to two problems: an analysis of the cognitive action already
termed intuitive, and an analysis of the more intimate characteristics of the cognitive faculty itself.
Actually the person appreciates beauty. But in the genesis of
this experience many faculties cooperate. The primary contact
of man with beauty is established by the external senses. These
are five in number: touch, sight, hearing, taste and smell. Sight
and hearing play the most prominent role. St. Thomas notes
that " those senses chiefly regard the beautiful which are most
cognitive, viz., sight and hearing as ministering to reason; for
we speak of beautiful sounds and beautiful sights. But in
reference to the objects of the other senses we do not use the
expression beautiful." 4 Still, a lesser role can be assigned to the
other senses without doing violence to St. Thomas. ln. referring
to the work of these two senses he did not say " solely "
(solummodo) but rather "chiefly" (praecipue) the senses of
sight and hearing. Though tastes and smells are not ordinarily
considered beautiful they do contribute in their own way to our
complete sense perception of beauty. For example, we are
charmed by the rose particularly because of its color and shape.
'Summa Theol., I-II, q. 27, a. 1, ad Sum: "llli sensus praecipue respiciunt
pulchrum qui maxime cognoscitivi sunt, scilicet visus et auditus ratione deservientes;
dicimus enim pulchra visibilia et pulchros sonos. In sensibilibus autem aliorum
sensuum non utimur nomine pulchritudinis; non enim dicimus pulchros sapores
aut odores . . . "
154
JOHN FEARON
However, its fragrance and texture also enter into our whole
perception of the rose.
Sight and hearing are here of greater importance because they
best serve the intellect and because through them most of our
knowledge is acquired. This is especially true with regard to
sight and the common sensibles. Since sight extends universally
to aU of them it is not only more efficacious but also more
powerful. 5 We can certainly neither touch, smell, nor taste
music, poetry and sunsets. Yet these are beautifuL By their
situational and functional associations with nutrition, smell and
taste are more at home in the dining room than at the opera.
The external sense representations of the concrete individual
objects of beauty are then conveyed to the internal common
sense and imagination, where they may be intensified and enhanced by fusion with the elements of previous experience. The
reproductive and retentive functions of imagination are of
considerable importance for this reason. The comparative
development or dullness of this faculty largely accounts for
the variations of taste among individual esthetes. Vivid imagination will bring a wealth of associated experience to each new
discovery of beauty. Unresponsive imagination will even fail to
grasp the totality of esthetic material offered by the senses.
This phenomenon is entirely in consonance with the old philosophic axiom that " whatever is received is received according
to the mode or capacity of the recipient." In connection with
the internal senses of man special mention should be made of
what the Angelic Doctor calls the particular reason. In man
the particular reason substitutes for the functions of instinct in
animals. It assembles and collects the individual intentions of
sense perceptions just as the universal reason assembles and
collects universal reasons. Furthermore, the particular reason
apprehends the individual as existing under a common nature.
This is possible only because of its intimate association with
the intellect in one and the same person. The obvious ad8 Comment. In "De Sensu et Sensato," lect. !i!, n.
"Per hunc etiam sensum
(visus) magis cognoscuntur communia sensibilia; quia quanto potentia habet virtutern cognoscitivam universaliorem, et ad plura se extendentem, tanto est eilicacior
in cognoscendo; quia omnis virtus quanto est universalior, tanto est potentior."
THE LURE OF BEAUTY
155
vantage of this faculty is that it enables us to know this man
precisely as this man. 6
Next, this immediate sense perception confronts the intellect.
In using the expression, " beauty is that which being seen
pleases," St, Thomas did not wish to confine " being seen " to
the strict meaning of an exercise of the faculty of sight, even
though this is the primary signification of the term. According
to his own interpretation, " the word ' sight ' is originally applied to the act of sense, and then as sight is the noblest and
most trustworthy of the senses extended in common speech to
all knowledge obtained through the other senses . . . and
further it is referred to knowledge obtained through the
intellect." 1
He is careful to stress the predominant role of intellect in
the apprehension of the beautiful. " Beauty refers to the cognitive faculty," he insists, in distinguishing it from the universal
good. 8 But the exact nature of this intellectual act is not explicitly developed by the Angelic Doctor. However, there is
general agreement that sensile perception is insufficient for the
discernment of beauty. Animals are chronically unappreciative
of the beauties of art and nature alike. Even the most pedigreed
• In Aristotelia Librum De Anima, II, lect. IS, :n. S96-S98. " Si vero apprehe:ndatur in singulari, ut puta ·cum video colora tum percipio hunc hominem vel hoc
animal, hujusmodi quidem apprehensio in homine fit per vim cogitativum, quae
dicitur etiam ratio particularis, eo quod est collativa intentionum individualium,
sicut ratio universalis est coUativa rationum universalium.
"Nihilominus tam en haec vis est in parte sensitiva, quia vis sensitiva in sui
supremo participat aliquid de vi intellectiva. in homine, in quo sensus intellectui
conjungitur. In animali vero irrationali fit apprehensio intentionis individualis per
aestimativam naturalem, secundum quod ovis per auditum vel visum cognoscit
filium vel aliquid hujusmodi.
" Difl'erenter tamen circa hoc se habet cogitativa et aestimativa. Nam cogitativa
apprehe:ndit indi-viduum ut existens sub natura communi; quod contingit ei, in
quantum unitur intellectivae in eodem subjecto; unde cognoscit himc hominem
prout est hie homo et hoc lignum prout est hoc lignum."
• Summa Theol., I, q. 67, a. 1: "sicut patet in nomine visionis, quod primo
impositum est ad significandum actum sensus visus, sed propter dignitatem et certitudi:nem hujus sensus, extensum est hoc
secundum usum loquentium, ad
om:nem cognitionem aliorum se:nsuum •.• Et ulterius etiam ad cognitionem intellectus."
9 Summa Theol., I, q. 5, a. 4: " ••. pulchrum respicit vim cognoscitivam ... "
156
JOHN FEARON
dogs howl at a symphony. At the other extreme, there is agreement that this knowledge of beauty stands opposed to the
difficultprocesses of scientific reasoning. It can readily be admitted, however, that these processes J:p.aterially dispose the
mind for the perception of more intellectual beauty. The acts
of reason are essentially discursive. They move from the imYet the newly
mediately known to the mediately
acquired term is expressed in a judgment. Since sensile perception and labored discourse of reason are disqualified as constituting the esthetic intuition, the choice is limited to some kind
of judgment. For all beauty is true and knowledge of the
beautiful is true knowledge. But truth, which is the perfection
of knowing, is found only in judgment. Obviously then, the
intuition of beauty is basically some manner of judgment.
However, it must not be considered as a simple judgment of
principles nor as the conclusion of a well-reasoned syllogism.
Rather, it belongs to the class of judgments associated with
contemplation, a full intuition of the known. It exceeds the
order of abstraction and utilizes the harmonious contributions
of all the cognitive faculties of the person. Though the esthetic
intuition ultimately consists in this act of the intellect, the
internal and external senses must of necessity cooperate. 9
Obviously the knowledge of truth is verified equally in esthetic and non-esthetic cognition. Beauty and ugliness have a
common status relative to judgment. The peculiar note which
specifies esthetic cognition is that it is somehow exhaustive of
the known. It satisfies the mind. One can have true knowledge
of the nature of the known and still be highly curious about its
particular and individual notes. But when the intellect and
conjoined faculties spontaneously exhaust the knowability of
the beautiful, curiosity is absent. Only when knowability on
the part of the object completely connatural to the cognitive
• Summa Theol., I, q. 84, a. 7: "Unde natura lapidis, vel cujuscumque materialis
rei, cognosci non potest complete et vere, nisi secundum quod cognoscitur ut in
particulari existens. Particulare autem apprehendimus per sensum et imaginationem;
et ideo necesse est ad hoc quod intellectus actu intelligat suum objectum proprium,
quod convertat se ad phantasmata, ut speculetur naturam universalem in particulari
existentem."
THE LURE OF BEAUTY
157
faculties captures the mind does esthetic experience occur. It
grows out of an accumulative process and contains within itself
all the perfections of the apprehension and judgment of truth
but in a more perfect and complete way. This conjoined
activity of the intellect and senses must be immediate (temporally) , without doubt and without discourse of reason; 10 in a
word, spontaneous. In this moment of the knowing process the
cognitive aspect of esthetic experience is essentially complete.
This is the basic meaning of the term " intuition " when applied
to the contemplation of beauty. It is entirely unnecessary to
invent either a new faculty or a new act of the intellect peculiar
to the intuition of beauty and peculiar to only a few esthetes.
However, it would falsify St. Thomas and it would falsify
experience to omit any mention of the grades of perfection
found in esthetic perception. Having isolated the basic truths
about this act, it is possible to expand their application without
running the risk of confusion. Basically esthetic knowledge is
contemplation or vision. It is concrete knowledge of the beautiful. It exploits the knowability of an object completely connatural to the mind of man. There are the common traits
realized in the esthetic knowledge of peasant, poet and philosopher alike. Mention has already been made of the role of the
internal senses in accounting for differences is esthetic tastes.
Bodily dispositions, temperament, and experience all have an
influence upon intellectual ability. However, over and above
the level of sense certain characteristics of individual intellects
also influence the operations of this faculty. The mind of man
has a certain plasticity which enables it to acquire various
habits or dispositions. These perfections in turn materially
dispose the intellect to respond to a fuller measure of beauty.
They attune the mind to the more intellectual aspects of the
beautiful. The most important of these habits in the natural
10 Summa Theol., Suppl., q. 92 (94), a. 2: " ... sicut Socrates, et filius Diaris,
et amicus, et alia hujusmodi, quae per se cognoscuntur in universali ab intellectu,
in particulari autem a virtute cogitativa in homine . . . Hujusmodi autem tunc
sensus exterior dicitur sentire, quamvis per accidens, quando, ex eo quod per se
sentitur, vis apprehensiva (cujus est illud cognitum per se cognoscere) statim et
sine dubitatione et discursu apprehendit. . . . "
158
JOHN FEARON
order is philosophical wisdom or metaphysics. Inasmuch as
metaphysics leads to the contemplation of the universal causes
of being it transcends the proper object of the human intellect.
It discerns deeper realities and considers diverse realities under
a common aspect and does not descen!f to the proper notes
of natural and moral objects. It reduces such diverse things as
creator and creature to a unity, not of univocation but of
analogy .11 Because man is a speculative creature this presupposes the discipline of logic and physics. Because man is a
moral creature it also presupposes the discipline of moral virtue,
especially temperance. 12 The study of philosophy is not the
work of a day. It is a lifetime effort. It demands intense and
prolonged intellectual concentration. Lest man be lured from
this devotion to thought, strong habits must moderate the unreasonable demands of his animal nature. Human experience
bears ample witness to the inescapable connection between wisdom and temperance. There is a certain asceticism demanded
in the esthete who would improve the natural endowments of
his intellect. The intellectual facility and acumen which the
habit of metaphysics brings to the mind of the esthete is not
without labor and suffering.
The second of the intellectual habits which dispose the mind
for fuller esthetic knowledge is peculiar to the Christian. By
tae infused habit of Faith and the acquired habit of theology,
the Christian is enabled to approach God no longer under the
aspect of being, but as He is in Himself. The ultimate perfec11 I Sent., Prolog. q. 1, a.
corp. et ad !tum: "Aliqua cognitio quanta altior
est tanto est magis unita et ad plura se extendit: unde intellectus Dei qui est
altissimus per unum quod est ipse Deus omnium rerum cognitionem habet distincte.
Ita et cum ista scientia sit altissima et per ipsum lumen inspirationis divinae
efficaciam habens. ipsa unita manens non multiplicata diversarum rerum considerationem habet, nee tantum in communi, sicut metaphysica, quae considerat omnia
in quantum sunt entia non descendens ad propriam cognitionem moralium, vel
naturalium. Ratio enim entis cum sit diversificata·in diversis non est sufficiens ad
specialem rerum cognitionem; ad quarum mauifestationem divinum lumen in se
unum manens, sec. Dion. efficaciam habet."
" Creator et creatura reducuntur in unum, non communitate univocationis sed
analogiae."
12 Summa Tkeol., IT-II, q.
a. 1, ad
THE LURE OF BEAUTY
159
tion of theology as a science is the contemplation characteristic
of theology as wisdom. This habit also demands definite intellectual and moral preparation. It was not mere chance that
led the Beloved Apostle to write " Every one that loveth is
born of God and knoweth God. He that loveth not knoweth
not God." 12 " Moral virtues impede the vehemence of unruly
appetites and quietly but firmly wall off the tumult of exterior
distractions, 13 and prepare the way for acquired contemplation.
In turn this is but an approach to the contemplation which
proceeds from the gift of Wisdom, " the gift which makes us
judge rightly of divine things by a certain connaturalness and
union with God which is effected by Charity." 1.4 Under the
egis of the Holy Ghost the soul is swept along through life and
through death to the vision o£ the Triune God, the summit of
esthetic experience, perfect and immediate union o£ the intellect
and God. Night vanishes and eternal day appears. However,
it is to be noted that theology in this life attains its object in a
dark manner with relative and negative knowledge, since
theology is based on Faith and Faith is o£ things not seen. The
full vision o£ God is reserved for the blessed in heaven.
Though the name contemplation is common to connatural
esthetic knowledge, metaphysical wisdom, theology and the
Beatific Vision, the essential characteristics of esthetic knowledge are not realized in each. Metaphysics gives certain knowledge and contemplates reality. Yet metaphysics as such does
not descend to the concrete individual. And the beauty that is
connatural to man is to be found in just the precise characteristics that metaphysics abstracts from. Hence, the role of metaphysics in esthetics is simply to dispose the intellect and render
it capable of discerning with ease the deeper aspects of the
beauty which is connatural to man. Likewise, theology gives
I ln. 4, 7 and 8.
Theol., ll-ll, q. 180, a. 2: "Virtutes autem morales impediunt vehementiam passionum et sedant exteriorum occupationum tumultus. Et ideo virtutes
morales dispositive ad vitam contemplativam pertinent."
10 Summa Theol., II-IT, q. 45, a. 4: "sapientia quae est donum Spiritus Sancti
sicut dictum est facit rectitudinem judicii circa res divinas, vel per regulas divinas
de aliis, ex quadam connaturalitate sive unione ad divina."
12 "
n Summa
160
JOHN FEARON
certain knowledge and contemplates reality. It has the further
perfection of considering reality in its concrete individuality.
It knows God under the very aspect of His Deity. However, in
this life theology is based on Faith and not on vision. Though
divinely certain, theology is obscure. Hence, even theology
fails to provide the full intuition of its object which is characteristic of esthetic knowledge. Like metaphysics, theology disposes the mind to know deeper truths. However, its proper
role is to prepare the mind for the esthetic contemplation of
God in heaven. In this life, though we know that God is beautiful, we do not see His Beauty. While a wayfarer the theologian
pursues the Beauty of God, but never captures it.
In this brief account of the contact of the soul with beauty
a wealth of detail has been neglected. In analyzing the intuition
of beauty the basic realities are of more importance. Having
evidenced them the next step is to outline the inner characteristics of the faculty thus felicitously affected. Since it was
asserted that knowledge of the beautiful was connatural to the
knower, this serves as a valuable point of departure from which
to undertake a study of the intellect itself.
Despite the needless friction between idealism and realism, all
men are realists at heart. The human intellect cannot be satisfied with dreams about centaurs and peppermint mountains.
When words fail even the most vociferous idealist picks up a
club to do battle for the reality of his ideas. Generally spea;king,
the human intellect concentrates on two spheres of reality,
forms and relationships. 15 Upon seeing a strange gadget for the
first time one immediately asks what it is and what it is for. In
covering reality the senses deal with the more material accidents
since these are highly individual and individual matter itself is
unintelligible. For present purposes it is sufficient to note that
the human intellect is a potency having for its object real sub'"Joannis a S. Thoma, Cursus Philosophicus, III, p. 114 b9ss: "Ex omnibus
enim praedicamentis substantia et relatio per se pertinent ad' intellectum, substantia
quidam quia per se non potest movere sensum nisi per aliquod accidens externum
quo reddatur sensibilis. Remota vero accidente sola substantia non est cognoscibilis
nisi ut quidditas quod est proprium objectum intellectus. Relatio autem quia
indiget collatione et ordinatione ut cognoscatur quae est propria intellectus."
THE LURE OF BEAUTY
161
stantial forms and relationships. In referring to the latter, St.
Thomas says: "It is proper to reason to know order. Whereas
the sense faculties know things absolutely, only the intellect
or reason can know the order of one thing to another." "6
In order to particularize these general statements about the
intellect and its object, and in order to assign the natural basis
for the various grades of perfection in esthetic cognition, several
distinctions are necessary. First, the intellect has a twofold
potentiality.
Its natural potentiality regards those objects
which can be known by its own natural agency. Since the
natural agency of the intellect depends objectively upon the
images presented by the senses, its natural potentiality is confined to reality which has some association with matter. Such
reality is either associated with matter as a constituent part or
has matter as a subject. It may also have an association with
material things only by a certain similarity, as in the case of
our :relative and negative knowledge of God. However, over
and above this natural potentiality, the intellect has an obediential potentiality relative to the agency of God. Thus even
the vision of separated substances and God Himself can fall
within the scope of the intellect. 17 The particular significance
of this distinction to the esthete is that his Most Beautiful One
cannot be seen with the eyes of his mind unless God Himself
elevates the created intellect. This experience is reserved for
the blessed.
16 In I Ethic., lect. 1: "quia
sapientia est potissima perfectio rationis, cujus
proprium est cognoscere ordinem. Nam etsi vires sensitivae cognoscant res absolute,
ordinem tamen unius rei ad aliam cognoscere est solius intellectus aut rationis."
17 S. Thomae, Comp. Theol. ad Fr. Reginaldum, I, c. 104: "Est autem aliquid in
potentia dupliciter: uno modo naturaliter, respectu eorum scilicet quae per agens
naturale possunt reduci in actum: alio modo respectu eorum quae reduci non
possunt in actum per agens naturale, sed per aliquid aliud agens. . . . Sic autem
et circa intellectum nostrum accidit. Est enim intellectus noster in potentia
naturali respectu quorumdam intelligibilium, quae scilicet reduci possunt in actum
per intellectum agentem, quae est principium innatum nobis, ut per ipsum efficiamur
intelligentes in actu. Est autem impossibile nos ultimum finem consequi per hoc
quod intellectus noster sic reducatur in actum: nam virtus intellectus agentis est
ut phantasmata, quae sunt intelligibilia in potentia, faciat intelligibilia in actu.
. . . Consequimur igitur ultimum finem in hoc quod intellectus noster fiat in
actu, aliquo sublimiori agente quam sit agens nobis connaturale .... "
162
JOHN FEARON
Again, it is necessary to distinguish between the proper and
adequate objects of
intellect. The proper object of the
intellect is connatural to man as human. The adequate object of the human intellect is connatural to man as intellectuaL
Thus, as precisely human, the intellect is confined to the
essences of material beings. As a spiritual faculty potentially
all things, however, it can and does transcend those limits by
use of analogy and considers being as being, without regard to
matter. St. Thomas says:
It is connatural to us to know those things which have their being
in individual matter inasmuch as our soul by which we know is also
the form of some definite matter.
However, this soul has two cognitive levels. One of them is the
act of a corporeal organ and it is connatural to this faculty to know
things inasmuch as they are found in individual matter, wherefore
the senses know only singulars. The other cognitive faculty of the
soul is the intellect, which is not the act of any corporeal organ.
Hence it is connatural to us to know intellectually natures which do
have their being in individual matter though they are not known
precisely as existing in individual matter but as they are abstracted
from it by the consideration of the intellect. Thus by the intellect
we are able to know things universally, which is far above the
faculty of sense. 18
Since the intellect regards its object universally it can transcend
the particular aspects of its object. 19 Thus being in all its totality
18 Summa Theol., I, q. 12, a. 4: "Ea igitur quae non habent esse nisi in materia
individuali, cognoscere est nobis connaturale, eo quod anima nostra, per quam
cognoscimus, est forma alicujus materiae. Quae tamen habet duas virtutes cognoscitivas. Unam, quae est actus alicujus corporei organi. Et huic connaturale est
cognoscere res secundum quod sunt in materia individuali, unde sensus non
cognoscit nisi singularia. Alia vero non est actus alicujus organi corporalis. Unde
per intellectum connaturale est nobis cognoscere naturas, quae quidem non habent
esse nisi in materia individuali; non tamen secundum quod sunt in materia individuali, sed secundum quod abstrahuntur ab ea per considerationem intellectus.
Unde secundum intellectum possumus cognoscere hujusmodi res in universali; quod
est supra facultatem sensus."
19 Summa Theol., I. q. 79, a. 7: " ..• si aliqua potentia
secundum propriam
rationem ordinetur ad aliquod objectum secundum
rationem objecti
non diversificabitur ilia potentia secundum diversitates particularium differentiarum. . . . Intellectus autem respicit suum objectum secundum communem
rationem entis, eo quod intellectus possibilis est quo omnia fieri."
THE LURE OF BEAUTY
163
is opened up to the consideration of the mind. By its natural
potentiality the intellect can transcend its proper object and
explore with analogy, though in a limited way, even beings
which lie only within its adequate object. However, the obediential potentiality of the intellect is exercised properly within
the sphere of the adequate object.
These precisions relative to the knowing faculty establish
several conclusions pertinent to the doctrine on beauty. First,
esthetic knowledge need not be restricted to the material order
as far as the intellect is concerned, though the connatural mode
of knowing beauty will be confined to the proper object of the
intellect, the physical world of matter and form. Second, the
more intellectual varieties of beauty lie outside the proper object of the intellect and hence of necessity involve the use of
analogy as far as our knowledge of them is concerned. Full
intuition in this sphere is not the lot of mortal man.
In a rapid analysis of esthetic experience the connatural and
properly human aspects are of. prime importance. They provide
the clues for making precise the confused concept with which an
understanding of beauty must begin. With appropriate adjustments it is then possible to apply that concept of the loftier and
more complex aspects of the question. Until the basic germinal
notion is fully explicated, however, the strictures of method
permit only a general consideration of the complexities.
ill
It has been seen that the complete capture of the mind by
beauty which constitutes the exhaustive intuition is conditioned
ultimately by the knowability of the object. In natural philosophy any penetration of motion and nature leads ultimately
to the principles of nature which make motion possible: matter,
form and privation. In our analysis of the general concept of
cognition and intellect, immateriality appears as the ultimate
principle which makes cognition possible. Similarily a full
understanding of the knowledge man has of beauty leads ultimately to the exterior principles which cause esthetic experience.
Since knowledge of the beautiful has something in common
164
JOHN FEARON
with any intellectual perception, beauty itself will have the
general attributes of knowability, reality, fonn, and order. In
applying these attributes to beauty, St. Thomas rather constantly refers to, them as integrity, proportion and clarity. In
a typical passage he says, " For beauty three things are required. In the first place integrity or perfection, for whatsoever
things are imperfect by that very fact are ugly; and due proportion or consonance; and again clarity--thus brightly colored
objects are said to be beautifuL" 20
Integrity
Even to one uninitiated in philosophical terminology integrity
connotes completeness. It has something to do with a nose on
every face and two ears astride each head. This is also the
sense in which St. Thomas uses the term. Ordinarily he associates it with the term perfection. For him perfection and
integrity are really the same thing, differing only conceptually.
It is a case of the bottle being half full or half empty. Perfection
signifies positively what integrity signifies negatively. A thing
is perfect so far as it has attained its full essential and functional
stature. In respect to this same totality the term integrity
signifies that no parts are lacking. 21
The most tangible application of integrity holds for the
quantitative order. When we think of parts and wholes we
think first of these factors in respect to things having magnitude, like the pie and its pieces, the jig-saw puzzle and its
pieces. An integral puzzle has no parts lacking. A pie half eaten
is no longer a whole pie. However, integrity also applies to
essential wholes, compounds of matter and form. In respect
20 Summa
Theol., I, q. 39, a. 8: "Nam ad pulchritudinem tria requiruntur.
Primo quidem integritas sive perfectio; quae enim diminuta sunt, hoc ipso turpia
stmt. Et debita proportio sive consonantia. Et iterum claritas, uncle quae habent
colorem nitidum, pulchra, esse dicuntur."
21 /n de1 Div. Nom., c. !2, lect. I: "Integrum
et perfectum idem videntur esse;
differunt tamen ratione, nam perfectum videtur dici aliquid in attingendo ad
propriam naturam; integrum autem per remotionem diminutionis, sicut dicimus
aliquem hominem non esse integrum, si postquam attingit propriam natumm,
aliquo membra mutiletur."
THE LURE OF BEAUTY
165
to the essence of physical things, matter and form are parts just
as essence and existence are the parts of spiritual substances. 22
For example, the soul is the formal part of man. When his soul
departs he is neither integral nor beautiful. At least ordinarily
we do not refer to cadavers as beautiful.
Furthermore, the Angelic Doctor distinguishes between
operational and existential perfection and integrity. In his own
words: " Integrity is twofold. One considers the primary perfection which consists in the existence (esse) of a thing; the
other considers the secondary perfection which consists in operation." 23 Thus, for example, by the endowments of nature a
man may lack nothing of his existential perfection as a man.
Yet virtue and the acts of virtue add an operational perfection
to him which gives him a positive fullness typical of truly
human beauty.
Since the notion of integrity involves the whole and its parts
it may be thought that it does not apply to God. To answer this
difficulty St. Thomas distinguishes between a whole that depends on its parts and a whole that is prior to its parts. Thus,
the material parts of a house are prior to the house and the
whole house depends on them. The integrity consonant with
this arrangement is typical of the whole created order. However, in the Platonic notion the whole precedes the parts after
the manner in which we say that the parts of a house are in
the mind of the builder which is a whole. In this sense integrity
to God. It is the integrity which belongs to His
can be
And so it is ultimately with each nature. Each has
Est
• 2 Summa Theo., I, q. 8, a. 2, ad Sum: " ... totum dicitur respectu partium.
autem duplex pars: scilicet pars essentiae, ut forma et materia dicuntur partes
compositi, et genus et differentia, partes speciei; et etiam pars quantitatis, in quam
scilicet dividitur aliqua quantitas."
•• IV Sent., d. 26, q. 2, a. 4: " duplex est integritas. Una quae attenditur secundum perfectionem primam, quae consistit in ipso esse rei; alia quae consistit in
operatione."
"In de Div. Nom., c. !l, lect. 1: "Totum autem hie non accipitur secundum
quod ex partibus componitur sed prout secundum platonicos totalitas quaedam
dicitur ante partes, quae est ante totalitatem quae est ex partibus, utpote si
dicamus quod domus quae est in materia est totum ex partibus, et quae praeexistit
in arte aedificatoris, est totum ante partes."
2
166
JOHN FEARON
an integrity proper to it. For example, man's nature calls for
two arms and a head. Hence the Venus de Milo is no longer
the statue of a woman, nor can she be called a beautiful woman.
But it is the statute of a feminine torso and artists generally
agree that it is a beautiful torso.
From this brief summary of integrity four conclusions can
be adduced which pertain to the consideration of beauty. First,
integrity has more than a mere quantitative denotation. It can
be expanded to cover the whole scale of beings. Second, though
integrity is very broad in its application it is not appropriated
to all natures in precisely the same way. Third, in considering
the integrity proper to any one nature the common notes of
integrity must be coupled with the peculiar adjustments proper
to that nature. Fourth, mutilation, privation and diminution
are the trade marks of the ugly.
Proportion
Like integrity, proportion or consonance also has a variety
of applications the first of which is quantitative. This priority,
however, is only in the order of knowing. St. Thomas says,
"Proportion according to the first imposition of the term signifies a habitude of quantity to quantity according to some
determined excess or equation, but it is further translated to
signify every habitude of anything whatsoever to another." 25
The two factors involved in the general notion of proportion are
habitude and plurality. No one says, .. I am just like me." In
every proportion at least two terms are necessary. 26 Underlying this duality, of course, some type of unity is necessary.
Habitude or order, however, can exist on various levels. First,
there is the familiar order of the parts of a body. As St.
Thomas puts it, we say a man is beautiful when he has a
" decent " proportion of the members of his body with respect
•• IV Semt., d. 49, q. 2, a. 1, ad 6um: "Proportio secundum primam nominis
institutionem, significat habitudinem quantitatis ad quantitatem, secundum aliquem
determinatum excessum vel adequationem, sed ulterius est translatum ad significandum omnem habitudinem cujuscumque ad aliud."
•• IV Sent., d. 16, q. 8, a. 1: "Et quia in qualibet proportione oportet esse ad
inus duos terminos, nihil enim sibi ipsi proportionatur, sed alteri .... "
THE LURE OF BEAUTY
167
to quantity and situation. 27 His arms should be neither too long
nor too short for the rest of his body; his nose neither too big
nor too small for his face. Quantitatively he should be well
proportioned. He also needs a certain graceful disposition of
his limbs and parts. A gentleman tying his shoes, for example,
generally assumes a somewhat unsightly posture. All physical
beauty must realize this type of consonance even though each
does it in his own way.
Over and above material proportion and bodily beauty in
man there is also a co1;1sonancemore proper to him as human.
Virtues insure a conformity between his actions and his rational
nature. Thus, virtue adds a special beauty to man. This is particularly true of the virtue of temperance. Temperance not
only establishes an order in human life (all virtues do this) but
it also restrains man from those deordinations which are typically bestiaF 8 And whereas temperance puts a proper order
in man with respect to what is animal in him, charity and the
theological virtues rightly order him to what is above, God.
Regardless of outward appearances the saint is always more
beautiful than the sinner.
Again a difficulty arises in applying the ordinary notion of
consonance to God. In God there is no real plurality. Still God
does have consonance since He contains all proportions within
Himself as in a cause. All created consonances are but manifestations of this consonance of the All Beautiful One who is the
first cause of all order. It is impossible to outline the inexhaustable manifestations of God's. consonant beauty. The
world is full to overflowing with interwoven order. Ages upon
ages of poets and painters and saints will never dry up this
unfathomable well of beauty. Only with our heads in heaven
•• In de Div. Nom., c. 8, lect. 5: "Sic enim hominem pulchmm dicimus propter
decentem proportionem membrorum in quantitate et situ."
28 Summa Theol., II-II, q. 141, a. 2, ad Sum: "Pulchritudo
conveniat cuilibet
virtuti, excellenter tamen attribuitur temperantiae duplici ratione. Primo quidem
secundum rationem communem temperantiae ad quam pertinet quaedam moderata
et conveniens proportio. . . . Alio modo quia ea a quibus refrenat temperantia sunt
infima in homine, convenientia sibi secundum naturam bestialem ... et ideo ex
eis maxime natus est homo deturpari. Et per consequens temperantiae, quae
praecipue turpitudinem hominis tollit."
168
JOHN FEARON
will we begin to gather the beauty of earth and heaven into our
heads.
Even from these few ideas on consonance two conclusions
rather obviously follow. First, with respect to proportion a
thing may be beautiful from one point of view but not from
another. A man may be well proportioned corporeally but if he
has not subordinated his lower appetites to reason and his
reason to God he is spiritually and literally as ugly as sin.
Second, since consonance regards not only the proper nature
of each but also the circumstances of each one's existence, it is
not only a general but also a very particular attribute of the
beautifuL
Clarity
The third metaphysical element of beauty ofl'ers no difficulties. It is simply brilliance or splendor of form. Brilliance
is originally associated with light and color. Light and color
:render objects more visible. For example, in the dark it is
unfortunately difficult to discern whether the door is open or
shut or just ajar. Though clarity applies primarily to an accidental form, it is translated to apply also to substantial forms. 29
Forms or essences of things are not only their intrinsic principle of constitution but also the source of their intelligibility.
In the world of corporeal nature these forms are mixed with
their limiting counterpart, matter. Matter of itself is unintelligible. Hence, the more form succeeds in overcoming the limitation of matter and the less it is immersed in and :restricted
by matter the more brilliantly form appears to our minds.
Since immateriality is the principle of intelligibility, there is an
ascending gradation in clarity reaching from material beings to
Pure Act. The clarity of God is the source of all clarity in
creatures. They are but reflections from the " font of all light."
However, God Himself, though He is the summit of intelligibility, immateriality and cladty, exceeds the capacity of our
created intellects. In this life our minds are unable to perceive
•• ln de Div. Nom., c. 4, lect. 5: "Forma. autem a qua. dependet propria. ratio
rei pertinet ad claritatem."
THE LURE OF BEAUTY
169
His brilliance directly. They are like the eyes of the owl in the
face of the noon-day sun.
The world of nature is situated between two sets of faculties,
one human, the other divine. 80 On our side we know the truths
of this world because they are true. We love the goods of this
world because they are lovable. We delight in the contemplation of the beauties of this world because they are beautiful.
With God it is different. Things are true because He knows
them. They are good because He loves them. They are beautiful because He made them so. God imparts beauty to all created
beauty according to three orders of causality: efficient, final
and exemplary.
The divine beauty is efficiently causative in three ways: in
imparting existence, in moving all things and in conserving all
things in their being. From His beauty all things have received
their existence. " From this beauty comes existence to all existing things." 31 But " clarity is also of the consideration of
beauty. Every form through which a thing has existence is a
certain participation of the divine clarity .... Similarly it
is also said that consonance is of the reason of pulchritude.
Whence all that pertains to consonance in any way whatsoever
proceeds from the divine pulchritude . . . all concord of
rational creatures as regards the intellect (for they who hold
the same ideas are one in concord) , as regards friendship, communion in action, and universally whatever union creatures
have, they have in virtue of this beauty." az
80 Q. D. de· Veritate XI, q. 1, a. !!: "Res ergo naturalis inter duos intellectus
constituta, secundum adequationem ad utruinque vera dicitur; secundum enim
adaequationem ad intellectum divinum dicitur vera in quantum implet hoc ad quod
est ordinata per intellectum divinum ... ad intellectum humanum in quantum
nata est de se formare veram aestimationem. . . . "
31 In de Div. Nom., c. 4, lect. 5:
"ex pulchro isto provenit esse omnibus
existentibus."
•• In de Div. Nom., c. 4, lect. 5: "Claritas enim est de consideratione pulchritudinis. . . . Omnis autem forma, quam res habet esse, est participatio quaedam
divinae pulchritudinis. • . . Similiter etiam dictum est quod de ratione pulchritudinis est consonantia; unde omnia quae qualitercumque ad consonantiam pertinet,
ex divina pulchritudine procedunt, et hoc est quod subdit quod propter bonum
divinum sunt omnia rationalium creaturarum ' concordiae ' quantum ad intellectum
170
JOHN FEARON
What is the motive of this divinely beautiful Agent? "It is
the nature of a perfect agent to act through love of what he
has ... Because (God) has His own proper pulchritude, He
wishes to multiply it through communication of His own similitude." 33 God's beauty exercises final causality inasmuch as
" all things are made that they may somehow imitate the divine
pulchritude. Third, it is an exemplary cause because all things
are distinguished according to the divine Beauty, and a sign of
this is that none care to represent or make effigies unless they
are beatuiful." 34 A man enthralled by the beauty of reality
naturally tends to express his reaction. Beauty elicits his artistic
operations. It enters into the very shape and form of his painting and poetry. So too, the Divine Artist imitates His essence
outside Himself. Imitation, of course, involves exemplary
causality.
IV
In sketching what St. Thomas has to say about the conditions which give the beautiful its intelligibility, the discussion
leads quite naturally to the source of integrity, consonance and
clarity. It is like following the stream back to the pure crystal
spring whence it began. It is a progressive inquiry in the line of
causality. Having reached the ultimate in that direction it is
necessary to about face and seek out the proper effect of beauty
and its intuition. St. Thomas says that " beauty is that which
being seen pleases." To complete an appreciation of what he
means by that formula an explication of the final term is indispensable. A brief consideration of his doctrine on appetition
in general is fundamental to an understanding of the exact
(concordant enim qui in eamdem sententiam conveniunt), et amicitiae quantum ad
affectum, et communiones quantum ad actum, 'vel ad quodcumque extrinsecum; et
universaliter omnes creaturae quantumcumque unionem habet, hahent ex virtute
pulchri .... "
•• In de Div. Nom., c. 4, lect. 5: "Omnia enim facta sunt ut divinam pulchritudinem qualitercumque imitentur.
Tertio, est causa exemplaris, quia omnia
distinguuntur secundum pulchrum divinum, et hujus signum est quod nullus curat
effigiare vel repraesentare nisi ad pulchrum .... "
"'Ibid.
THE LURE OF BEAUTY
171
nature of this delight. Having isolated it in its properly human
mode, it will then be possible to delve into the more complex
modes of delight in contemplation.
The Angelic Doctor distinguishes three kinds of appetite:
natural, elicited sense and the elicited intellectual appetite
which is the will.sG The natural appetite is a tendency rooted
in and identified with the nature of a thing for its proper good
antecedent to apprehension. It has no need of apprehension
because it is one with the determined nature. Hence it operates
of necessity.
The elicited sense appetite is a tendency to a particular good
convenient to animal nature, following its sensile perception.
The objects of this appetite are singular concrete goods. It
desires this particular delectable object but never moves toward
goodness in the abstract. Its movements are always accompanied by corporeal changes in the organism, the emotions.
Unlike natural appetite it does not have a simple necessity in
respect to its object but necessarily moves toward its good
only after the perception of that good by sense.
The elicited intellectual appetite is similar to the sense
appetite in that it needs to be preceded by cognition. It differs
in that it follows intellectual cognition which has for its object
not only singular things but primarily universal essences. Because the intellect penetrates to universal truth it also penetrates to the universal reason of goodness. The only necessity
associated with the will is in relation to this universal good,
bonum in commune. As regards particular goods contained
under this universal it is entirely free. Properly speaking, emotions are not found in the will, but its movements are parallel
to those of sense appetite; hence we also speak of them as
emotions: love, hate, fear, sorrow, joy, desire, hope, despair,
anger and the rest.
Now, just as the cognition of beauty was an accumulative
process involving many faculties and many acts of these faculties but issuing into completion only in the fullness of intellectual judgment, so the charm peculiar to the experience of
•• Q. D. de Veritate, q. 25, a. 1.
JOHN FEARON
beauty is also an accumulation of various appetites issuing
in a special kind of delight. First of all, the natural appetites
of sense and intellect are allayed. Beautiful things are proportioned in themselves and proportioned to the senses. " Sense
derives pleasure from things duly proportioned, as being similar
to itself, for sense too is a kind of ratio like every cognitive
power." 36
The intellect also has a natural appetite for reality which is
satisfied only in judgment where truth is found. " Truth itself
is a certain good as intellect is considered as a thing and truth
as its end." 37 On the side of elicited appetition, the emotion of
joy in the sensile order must remain extrinsic to what formally
constitutes the delight associated with beauty. The reason for
this is that sense is incapable of any but a direct relation to the
good. Its delight necessarily terminates in the object of sensibility rather than in the contemplation of that object. To
assign the delight of knowing the beautiful to this faculty is to
identify the beautiful and the good, a confusion certainly foreign
to the mind of St. Thomas, who insists on their rational distinction.38 The presence of emotion in the esthetic sentiment is
undeniable. However, as a disposition it contributes to the
integrity rather than to the essence of the experience. Emotion
also enters into esthetic delight by way of overflow from the
well-being of higher faculties.
Joy in knowing the beautiful is the satisfaction of our intellectual faculty of desire, the will, reposing in the proper good of
its cognitive counterpart. 39 The happy exercise of the intellect
coupled with a fullness of knowledge or truth produces the
metaphysical well-being or perfection of this faculty, thus satisfying its natural appetite. This flowering of the intellect is
36 Summa Theol., I, q. 5, a. 4, ad lum: "Unde pulchrum in debita proportione
consistit, quia sensus delectatlll' in rebus debite proportionatis, sicut in sibi similibus;
nam et sensus ratio quaedam est, et omnis virtus cognoscitiva."
37 Su=a Theol., I, q. 82, a. 3, ad lum:
"Unde et bonum quoddam verum est.
Sed rursus et ipsum verum est quoddam bonum, secundum quod intellectus res
quaedam est, et verum finis ipsius."
•• Summa Theol., I-II, q. 27, a. 1: "Bonum dicitur id quod simpliciter complacet
appetitui; pulchrum autem dicatur id cujus apprehensio placet."
•• Su=a Theol., I-II, q .. 27, a. 1.
THE LURE OF BEAUTY
173
immediately gathered up by the will, which then rests contented
in the contemplation which its neighbor enjoys. For " the end
and perfection of every other faculty is contained in the object
of the appetitive faculty .as the particular is enclosed in the
general." w Beauty is thereby establiShed in direct contact
with the intellect and indirect and mediate contact with will.
This complex relationship saves it from identification with
either truth or goodness.
" The beautiful is the same thing as the good; differing only
conceptually. That being good which all things desire, it is of
the nature of good that the appetite is allayed by it: but it is
of the.nature of the beautiful that the appetite is allayed by the
sight or knowledge of it . . . and so it is clear that 'the beautiful adds over and above the good a certain order to the cognitive potency. So, let that be termed good which simply gratifies
the appetite; but let that be termed beautiful the mere apprehension of which gives pleasure." n
To summarize briefly the connatural mode of delight in the
beautiful: there is a natural soothing of the senses charmed by
colors or sounds. There is a satisfaction of the intellect's natural
desire for existent reality. The perfect vision of the intellect is
gathered in by the subject's own elicited appetite which delights
in it as in a good. Furthermore, as cognition of the beautiful is
particularized, so too will be· the delight. This accounts for the
delight connected with the 'properly human mode of appreciating beauty. It completes the explication of the Thomistic
definition of beauty as that which being seen pleases.
•• Bum'I1Ul. Tkeol., 1-11, q. 11, a. 1, ad 2um: " .... perfectio et finis cujuslibet
alterius potentiae continetur sub objecto appetitivae sicut proprium sub communi.
• . • Unde perfectio et finis cujuslibet potentiae, in quantum est quoddam bonum,
pertinet ad appetitivam; propter quod appetitiva potentia movet alias ad suos fines,
et ipsa consequitur finem quando quaelibet aliarum pertingit ad finem."
..1 Bum'I1Ul. Theol., I-ll, q. 27, a. 1, ad Sum: " ... pulchrum est idem bono sola
ratione differens. Cum enim bonum sit quod omnia appetunt, de ratione boni est
quod in eo quietetur appetitus. Sed ad rationem pulchri pertinet quod in ejus
aspectu seu cognitione quietetur appetitus • . . unde sic patet quod pulchrum addit
supra bonum quemdam ordinem ad vim cognoscitivam; ita quod bonum dicatur id
quod simpliciter complacet appetitui, pulchrum autem dicatur id cujus apprehensio
placet."
174
JOHN FEARON
Again it would be unfaithful to St. Thomas and experience to
pass over without comment the more perfect modes of delight
in contemplation. Just as there are various and progressively
more perfect grades both in knowing and in the knowable, there
are also fuller and more perfect realizations of the delight
associated with contemplation. The Angelic Doctor approaches
his discussion. of these latter by carefully and precisely distinguishing a twofold joy found in contemplation. 42 The first
springs from the very perfection of the cognitive act itself.
" Delight follows upon a perfect operation." 43 The second is
rooted in the object inasmuch as the beautiful is also the beloved. This is not a distinction between two totally different
kinds of.delight. Again it is a matter of accumulation. The delight in seeing the beloved adds a new formaJity to the delight
of perfect operation. For example, a man may delight equally
in seeing two women of equal beauty. Yet if one of them is his
wife he takes a special delight in seeing her. There are two
reasons for this augmentation. Love stimulates the mind to an
ever fuller knowledge of the beloved. It is characteristic of
lovers to have lengthy conversations. They are anxious to find
out more about each other, to know each other better. Again,
love effects a material disposition in the will which blends itself
into all the future movements of that faculty. Love makes the
will capable of new and intense desires, new hopes, new fears,
and fuller joys .
.. Summa Tkeol., ll-ll, q. 180, a, 7: " ... aliqua contemplatio potest esse
delectabilis dupliciter. Uno modo, ratione ipsius operationis, quia unicuique delectabilis est operatio sibi conveniens secundum propriam naturam vel habitum. Contemplatio autem veritatis competit homini secundum ·suam natw;am, prout est
animal rationale. Ex quo contingit quod omnes homines natura scire desiderant:
et per consequens et cognitione veritatis delectantur. Et adhuc magis fit hoc
delectabile habenti habitum sapientiae et scientiae, ex quo accidit quod sine difficultate aliquis contemplatur.-Alio
modo contemplatio redditur delectabilis ex
parti objecti, in quantum scilicet aliquis rem a.mata.m contemplatur; sicut etiam
accidit in visione corporali quae delectabilis redditur non solum ex eo quod ipsum
videre est delectabile, sed etiam ex eo quod videt quis personam amatam. Quia
ergo vita contemplativa praecipue consistit in contemplatione Dei, ad quam movet
caritas ... inde est quod in vita contemplativa non solum est delectatio ratione
ipsius contemplationis, sed etiam ratione ipsius divini a.moris."
. 43 Aristotle, X Ethic. IV, 6; 1174, b2S.
THE LURE OF BEAUTY
175
Obviously the delight which enters into the definitive formula
of beauty is the delight concerned with intellectual operation.
The joy in knowing is the proper effect of the natural mode of
esthetic experience. Certainly this natural mode is greatly enhanced when the beautiful one is also the beloved. This love
should be understood as the natural emotion of friendship. Just
as human science, both metaphysical and moral, disposes the
intellect and makes it capable of appreciating more intellectual
beauty, so too human love disposes the will and makes it
capable of an added delight in contacting the beautiful. Thus
the full and integral stature of the natural mode of esthetic
experiences emerges, no longer isolated in a definition, but adequately expanded to cover the totality of normal experience.
This experience is common to good men and evil men alike.
However, for its full appreciation one should be disposed by a
certain amount of logical and moral discipline, and one should
have the appetites well rectified.
Mention has already been made of another mode of contemplation reserved for the good Christian. There is also a contemplative delight that is typically theological. With regard to
this delight the same distinction between joy following perfect
intellection and joy following upon knowing the beloved applies.
However, the delight in simply knowing is not the precise
formality of theological contemplation as it was in esthetic experience. Theological contemplation must have charity for its
motive. Still this does not mean that it ceases to be contemplation, i. e., intellectual. It only means that the moving principle
of this intellectual action is in the will.44 And just as it has its
motive force from the affections it also terminates in affection.
Yet, antecedent to this termination in the will another virtue
intervenes to solidify the contact between man and God. The
first effect of contemplation upon the will is to elicit an act of
"Summa TheoZ., II-11, q. 180, a. 1: "Et propter hoc Gregorius constituit vitam
contemplativam in < caritate Dei ' in quantum scilicet aliquis ex dilectione Dei
inardescit ad ejus pulchritudinem conspiciendam. Et quia unusquisque delectatur
cum adeptus fuerit id quod amat, ideo vita contemplativa terminatur ad delectationem, quae est in affectu, ex qua etiam amor intenditur."
176
JOHN FEAilON
devotion from. the virtue of religion.46 Before the will of· man
can fully rejoice in the knowledge of God he must surrender
himself to the principle and end of his existence by devotion.
The price of his joy is an enslavement to God, the will of
promptly abandoning himself to whatever pertains to divine
worship. 48 Only when thus clothed can spiritual joy seize upon
his soul.41 He must not only be a lover of the Divine Goodness
but a slave to the Divine Principle before he can hope to experience the Divine Beauty. And" this contemplation of divine
things which is had by wayfarers though imperfectly is more
delightful than all other contemplation however perfect it may
be, because of the excellence of the one contemplated." 48 This
experience develops in the life of a Christian as the gifts of the
Holy Ghost become more operative and finally terminates in
the vision of God in heaven of which the Psalmist says, " They
shall be inebriated with the plenty of thy house; and thou shalt
make them drink of the torrent of thy pleasure." 48 "
Obviously the devotional approach .to theological· beauty is
inescapable. Without the theological and moral virtues there
can be no godly esthete. These virtues must "make straight
the way " in the human will. Only he that loves is born to God
and knows God. Theology itself no longer gropes after God
under the common aspect of being. By building upon the
principles of Faith which have fallen from His own lips it reverently contacts its object under the very aspect of His Deity.
In this life it is limited by the darkness of Faith. Still it is a
beginning of the full. vision of the Triune God in Heaven.
Even these few considerations of esthetic experience and
theological contemplation point out quite definitely two differ•• Summa Theol., ll-II, q. 82, a. S, ad 1um: " Consideratio eorum quae nata
sunt dilectionem Dei excitare, devotionem causa.nt."
•• Summa Theol., II-II, q. 82, a. 1: "Unde devotio nihil aliud esse videtur quam
voluntas quaedam prompte tradendi se ad ea quae pertinent ad Dei famulatum."
07 Summa Tkeol., II-II, q. 82, a. 4: " ..• devotio per se quidem et principaliter
spiritualem laetitiam mentis causat."
•• Summa Tkeol., II-II, q. 180, a. 7, ad Sum: " Sed contemplatio divinorum quae
habetur in via, etsi sit imperfects, tamen est delectabilior omni alia contemplatione
qua.ntumcumque pcrlecta, propter excellentiam rei contemplatae."
••• Ps. 85, 9.
THE LURE OF BEAUTY
177
ent ways of looking at beauty, two different approaches to
" that which being seen pleases." One attains the beauty that is
connatural to man. The other pursues the beauty that is connatural to God. Theology has God for its proper object. God is
the focal point of Sacred Doctrine. The beauty of this world
falls within the embrace of theology only inasmuch as it has an
order to God who is the efficient, final and exemplary cause of
all created beauty. On the other hand, the natural mode of
esthetic experience concentrates on the beauty of this world
which lies within the proper object of the human mind. Since
man himself is most connatural to man, human persons and
human affairs occupy the center of this stage. Ultimately these
two approaches to beauty differ because the mind can take two
different attitudes toward reality and can terminate in two
different ends. In contemplating an image the mind can terminate upon the image itself, its colors and proportions, its
intrinsic properties. But the mind can also approach an image
precisely as an image and terminate in the thing for which it
is an image. 49 For example, the local photographer and the
proud father both gaze upon a photograph. The photographer
centers his thoughts upon the photograph itself, the lights and
shadows and arrangement. But the father centers his thoughts
upon the bouncing baby boy of which the. picture is but an
image. The theologian approaches this world as an image of
God. For him the beauty of creation is but a symbol of the
beauty of the Creator. His thoughts and affections do not
terminate in the creature ·but tend toward God. The natural
esthete concentrates upon the beauty intrinsic to the world. He
takes the world quite literally. His thoughts and affections
terminate in created beauty. This is the fundamental distinction between the two approaches to beauty. One takes the
world literally and the other takes the world symbolically. One
terminates in the beauty that is connatural to man. The other
tends toward the beauty that is connatural to God.
•• Summa Theol., ll-ll, q. 108, a. 8, ad Sum: "motus qui est in imaginem in
quantum est imago refertur in rem cujus est imago, non tamen omnis motus qui
est in imaginem refertur in eam in quantum est imago. Et ideo quandoque est alius
motus specie in imaginem, et motus in rem."
178
JOHN FEARON
v
The step by step procedure from the obvious to the obscure
in delving into the meaning of " that which being seen pleases "
leads to a fuller appreciation of that formula in all its varied
aspects. The gradual ascent of the mind brings ever more complex applications into view. However, this procedure has to be
reversed before moral science can be brought to bear on these
complexities. A full understanding of the morality of esthetic
experience involves a descent from the vantage point of metaphysics.
The metaphysician universalizes the factors of cognition,
appetition, integrity, proportion and clarity. He reduces them
to their basic characteristics. For him appetite is neither natural,
sensile nor rational, but simply appetite. However, his generalizations do not proceed from logical confusion but from formal
discernment. Only from this point of view is it possible to
understand St. Thomas' statements about beauty and good.
Beauty, like goodness, is primarily in things, in objective
reality. The Angelic Doctor says, "The beautiful is the same
thing as the good, differing only conceptually. That being good
which all desire, it is of the nature of good that the appetite is
allayed by it; but it is of the nature of the beautiful that the
appetite is allayed by the sight or knowledge of it . . . and so
it is clear that the beautiful adds over and above the good a
certain order to the cognitive potency. So, let that be termed
good which simply gratifies the appetite, but let that be termed
beautiful the mere apprehension of which gives pleasure." 50
The first thing to note about this text is that being is the
basic point of :reference. The same reality is both beautiful and
good. However, they are not to be totally confused. Each has
a proper formality. Good adds to the notion of being a transcendental relation to the appetite. Beauty adds to a being a
transcendent intelligibility which contacts the cognitive potency
directly and the appetite indirectly. In differentiating goodness
from beauty the cognitive and appetitive potencies are intro•• Summa Theol., I-II, q. !'l7, a. 1, ad Sum.
THE LURE OF BEAUTY
179
duced as correlative points of reference. In this passage, St.
Thomas does not probe into the reasons in being which underlie
the different relations. In other places he consistently assigns
integrity,
and clarity as the proper reasons of
beauty. 51 In speaking more deliberately of the good he also
consistently assigns mode, species and order as the proper reasons of good. By mode he understands a commensuration to
material and efficient principles prerequisite to form. Being
outside these causes the form has existence; by species he understands the specifying form itself; by order he understands an
inclination to an end, or a final cause. 52
Mode, species and order are the reasons in being underlying
its transcendental relation to appetite which constitutes the
good. Good thus has the character of a final cause. Integrity,
consonance and clarity are the reasons of beauty which order
beauty to cognitive potency. This gives beauty the character
of a formal cause. In reality beauty and goodness are the same
thing. Conceptually they differ. This is the general outline of
the metaphysical analysis of beauty and goodness.
For a fuller understanding of the connection between beauty
and goodness, and in order properly to synthesize the two, it is
necessary to delineate with accuracy the precise roles of mode,
species and order in good, and integrity, consonance and clarity
in beauty. First, as regards good St. Thomas says that the
word has a double signification. It signifies not only the relationship of perfectibility but also the basis or cause of that
relationship. He says that order is the relationship itself, species
and mode the cause. Species and mode materially dispose the
object and render it remotely appetible. To be an end, to be
perfectible of another, is what formally completes the reason of
good. 58 This order or transcendental relation in good to reduce
"'Summa Theol., I, q. 89, a. 8.
•• Summa Theol., I, q. 5, a. 5.
Q. D. de V eritate XI, q. 21, a. 6: "Et per hunc modum ratio boni respectum
implicat: non quia ipsum nomen boni significat ipsum respectum solum, sed quia
significat id ad quod sequitur respectus, cum. respectu ipso. Respectus autem qui
importatur nomine boni, est habitudo perfectivi, secundum quod aliquid natus
est perficere non solum secundum rationem speciei, sed secundum esse quod habet
180
JOHN FEARON
an appetite into efficiency is the formal element among the
three proper reasons of good. Order is what gives the good the
character of a :final cause.
Beauty also signifies both a reference or order to cognitive
potency and the basis or cause of that reference. Clarity is what
formally completes the reason of beauty. Integrity and proportion materially dispose the object. For example, color is the
material cause in the object of sight, but light is what formally
completes the reason of visibility. 5 " Clarity itself implies arelationship to cognitive potency just as order itself implies a
relationship to appetite. Integrity and consonance are the
dispositions for clarity just as mode and species are the causes
which render the good perfectible of another. The assimilation
of beauty .by a cognitive potency presupposes integrity and
consonance. But information actually takes place because of
the clarity of form: This element of beauty which enables it to
inform or actualize a cognitive faculty is the formal complement
among the three proper reasons of beauty.
St. Thomas gives the basis for synthesizing these various
reasons of good and beauty by taking appetite as the basic
point of reference. " That the appetite terminates in good, in
peace and in beauty does not mean that it terminates in diverse
things. From the very fact that one desires the good one also
desires beauty and peace: beauty inasmuch as the thing is modified and specified in itself, which is included in the reason of
good: but good adds the order of perfectibility to another.
in rebus. . . . Sic igitur inter ista tria qua.e Augustinus ponit, ultimum, scilicet
ordo, est respectus quem nomen boni importat; sed alia duo, species scilicet, et
modus, ca.usant ilium respectum. Species enim pertinet ad ipsa.m rationem speciei;
qua.e quidem secundum quod in aliquo esse habet, recipitur per aliquem modum
determinatum, cum omne quod est in aliquo sit in eo per modum recipientis. Ita
igitur unumquodque bonum in quantum est perfectivum secundum rationem speciei
et esse simul, habet modum, speciem et ordinem. Speciem quidem quantum ad
ipsa.m rationem; modum quantum ad esse; ordinem quantum ad ipsam habitudinem
perfectivi."
•• I Sent., d. 45, q. 1, a. 1, ad 1um: "in objecto alicujus potentiae est duo considerare: scilicet illud quod est materiale, et illud quod formaliter complet rationem
objecti, sicut patet in visu: quia color est visibile in potentia, et non efficitur visibile
in a.ctu nisi per a.ctum lucis. Similiter dico quod illud quod formaliter complet
rationem voliti est finis, ex quo est ratio boni. . . . "
THE LURE OF BEAUTY
181
Hence whoever desires the good by that very fact desires
beauty." 55 From this it is clear that the proper reasons of
beauty, both formal and material, a:re regarded by the appetite
as the material reasons of good. However, since the formal
element of beauty has the character of a formal cause it is
properly related to cognitive potency just as the formal element
of good which has the character of a final cause properly relates
it to appetite. But what is formal in beauty is only material in
the good.
From this metaphysical point of view the :reasons of beauty
are an approach to good and the inseparable companion of the
good. However, as these reasons are contracted and applied to
different subjects important adjustments must be made. When
God is the subject of beauty and good they are reduced to
unity. In God there is no distinction between the reasons of
goodness and His Good, between the reasons of beauty and His
Beauty. "In the first cause, namely God, a distinction must
not be made between beauty and pulchritude (the reason of
beauty) so that His Beauty would be something different from
His pulchritude. This is because the first cause contains all
things in oneness because of His simplicity and perfection.
Though in creatures beauty and pulchritude differ, in God they
are contained as one and the same thing .... " 56 God is supersubstantially beautiful and the supreme and only purely honest
good, the final cause of all that is. The enjoyment of His Beauty
is inseparable from the love of His Goodness.
In creatures, however, the reasons of beauty and goodness
are contracted and participated in multiplicity. Creatures have
beauty and goodness. They are not beauty and goodness. Furthermore, in creatures there are various levels of beauty and
55 Q. D. de Veritate XI, q. 9!2, a. l, ad l!ilum: "appetitum
terminari ad bonum
et pacem et pulchrum non est terminari in diversa. Ex hoc enim ipso quod aliquid
appetit bonum, appetit simul pulchrum et pacem: pulchrum quidem in quantum
est in seipso m:odificatum et specificatum, quod in ratione honi includitur; sed
bonum addit rationem perfectivi ad alia. Unde quicumque appetit bonum, appetit
hoc ipso pulchrum .... "
•• In de Div. Nom., c. 4, lect. 5: " ... in causa prima, scilicet Deo, non sunt
dividenda pulchrum et pulchritudo, quasi aliud sit in eo pulchrum et pulchritudo;
et hoc ... propter sui simplicitatem et perfectionem .... "
3
182
JOHN FEARON
goodness. There is a physical beauty of body and a spiritual
beauty of soul. Certainly the truly beautiful man will be a
complexus of these various participations though the mind can
isolate one or another according to its tastes. There is also a
created participation of the honest good. Virtue is sought for
its own sake. But actually even virtue has an aspect of utility
in that it is a means to beatitude. The entitative good of
existence, of course, is common to all. Corporeal beauty is often
associated with utter uselessness. Feminine charm can lead the
soul of man away from God. The best cooks are sometimes
quite ugly. In creatures the beautiful and the good are not
necessarily one and the same thing as in God. The isolated
beauty of the creature is not always the infallible approach to
man's true good.
The morality of esthetic experience depends ultimately on
the coincidence of beauty and goodness. There is no problem
about the morality of beatitude. Nor is there any problem
about the theological approach to beauty. Theology has God
for its object and views created beauty as a symbol leading to
fuller knowledge and deeper love of God. God is the infinite and
ultimate honest good. Knowing Him and loving Him and serving Him is the highest moral perfection of man. Only pride can
turn this to man's condemnation. But the case is quite different
with the natural mode of esthetic experience, which takes
created beauty quite literally, rests in its isolated perfection
and enjoys its soothing effects. When beauty is taken out of
its divine context and severed from the commensuration of the
honest good, it is not necessarily good in itself. It can be good
or bad depending upon the attitude man takes toward it.
Prudentially considered, this type of esthetic experience is only
a useful good. It is for man's recreation. It is a remedy for the
pain of weariness from the day's toil. It refreshes the soul in
preparation for tomorrow's work. And work is ordained ultimately to contemplation. Only when thus ordered to the honest
good does the natural mode of esthetic experience assume the
character of true moral goodness.
THE LURE OF BEAUTY
183
VI
But this unfortunately is not the way the moderns look at
beauty. Their historic disregard for the truths of philosophy
and theology makes them easy prey to the lure of beauty. With
unfailing ingenuity they confuse the natural and the sublime
and level of perfections which should remain sharply distinct.
The modern approaches the beauty that is connatural to man
with all the devotion that belongs to the beauty that is connatural to God. He endows the natural mode of esthetic experience
with all the advantages and none of the disadvantages of
theological contemplation. Since the analytical notion of contemplation applies somehow to both he drops out the perfections of each and picks and chooses to his heart's content.
Apparently in possession of all the grandeur of theology and
philosophy, he becomes progressively more confirmed in his distaste for" scholastic encumbrances." The palpitating satisfactions of a mangled esthetic are readily available to the ingenius
and the artistic. But the unfortunate result is that a mind
which was made to know God is satisfied in knowing itself. For
infatuated with the child of his own intellect, the modern distains that "Child" of the mind of God, the Incarnate Word
which is the only source of fallen man's return to wisdom.
Having abandoned the solid moorings of truth and goodness
it is little wonder that modern artists have turned to cultivating
the ugly. With self-expression as a first principle their art
necessarily conforms to themselves. In a measure the beauty
of nature satisfies man's desire to know the concrete individuaL
Its effulgence and intelligibility make this possible. However,
to emphasize the common notion that esthetic experience is
intuition of the material individual and to deny the further
limitation that this presupposes beauty in the object paves the
way for the art of ugliness. The next step is to eliminate the
conditions of beauty and impose by art an intelligibility that is
neither true nor good. Hence, in the interests of complete
freedom the modern masterpiece is utterly ugly.
Furthermore, in the very rational and analytical notions of
184
JOHN FEARON
beauty and good there is a certain coincidence which is realized
fully only in God. The modern applies that coincidence quite
shamelessly to the creature. This confusion completes his
abandonment of classic Christianity and rounds out his new
religion of culture. He makes man's perfection consist in a
life devoted to beauty for its own sake. Since his beauty is
automatically good there is no need for the rigors of religion and
the discipline of the sacraments. There is no need for virtue.
There is no need for mortification. His cult is culture. Deep
insights, intuitions and genius are his code. Beauty for its own
sake is his creed. Like the chemist who isolates oxygen, the
modern pursues beauty in a free state, liberated from God and
liberated from the Church. But what the modern makes his
perfection the Saints have shunned for folly. The Saints first
looked after goodness and truth and beauty took care of herself.
What the moderns need is a return to goodness and truth, to
virtue and theology, then "beauty will take care of herself."
JoHN FEARON,
Dominican House of Studies,
Washington, D. C.
0. P.
INSTINCTIVE
ESTIMATION OF PRACTICAL
VALUES
P
LANTS, animals, and men are contingently vital beings,
and as such are. subject to constant attacks by other
forces which threaten to deprive them of their perfection
of vitality. They must be able to orientate themselves properly
to the world of external reality if they are to continue on in a
state of life. Activity of many sorts is incumbent upon all of
them if they are to live; but the activity demanded for life is
not a disconnected, random activity, nor is it merely a speculative activity concerned only with contemplation of truth as
such. In the plant domain there is no knowledge, no possibility
of self-determination-in short, there is no psychic consciousness of any sort. But in the animal and human kingdoms there
is a conscious life. The animal and the man must become aware
of values, of subtle overtones accruing to each and every object
of external reality existing in the milieu in which animal or man
must seek the conditions needed for maintenance of life. This
knowledge is not a speculative knowledge, it is interested rather
in action. But art and prudence also are intetested in action,
and as a consequence it might be objected that there is confusion here in our distinction. Let it suffice to note that art
and prudence are virtues of an intellectual nature, that their
knowledge has a certain rational element which differentiates
it from the pure sense knowledge which we encounter on the
first level of psychic life. Moreover, the knowledge of art and
prudence is orientated toward supplying the conditions for a
higher type of life, a type not demanded for the simple predication of life on the physical level. The knowledge and consequent activity which men and animals share are concerned with
the maintenance and propagation of physical life; their proper
causality never rises above the sentient order. These capacities
185
186
WILLIAM
A. GERHARD
for knowledge and action on the sense level are traditionally
called instincts, and our purpose is to investigate their nature.
To categorize briefly the methods of considering instincts,
we may say that instincts can be considered as psychophysiological phenomena of the cognitive order, or as biological functions. Those adopting the latter point of view may be divided
into the mechanists and the vitalists. We are not as yet
interested in investigating the nature of the knowledge of instincts, the transcendental relationship existing between this
type of knowing power and the external world. We are here on
the first level of abstraction where we shall consider properties
of material vital forms by that abstraction proper to the biological sciences.
Instinctive activity is a phenomenon that has been one of the
first properties of animal life remarked by all observers of vital
activity. And among the striking characteristics of instinctive
activity, its purposeful and unlearned method of functioning
is paramount: from the very moment of birth creatures endowed with locomotion move about in their environment in
such wise as to seek and appropriate those things which are
conducive to the maintenance of life. The sensations that rush
pell mell are in some manner sifted and judged, whereupon the
useful are responded to positively and the harmful negatively.
That is the fact-the explanation is more doubtful. Is there
some factor in the instinctive process which is not to be predicated of the matter as such, but rather is a principle entangled
in the matter of the body? We have arrived at the point
whence arose two schools of biological thought, the Mechanists
and the Vitalists. 1
With the doctrine of Descartes the great dichotomy of reality
was effected: all things could be classed either as spiritual, or
thought, reality-in this realm all extension was excluded, or as
matter, or extended reality-here all thought was excluded.
The psychic was co-extensive with the realm of thought, and
all outside of the psychic was to be equated with matter.
1 I do not intend to' go into a historical study of the doctrines on instinct held by
various philosophers and ,psychologists. An excellent historical treatise on this
matter can be found in the book of J. Drever, Instinct in Man, cc. 1-3.
INSTINCTIVE
ESTIMATION
OF PRACTICAL
VALUES
187
Descartes is the first man we wish, to consider, not so much
because of any important doctrine that he might be able to
render on the nature of instincts, as because he is a source of
influences that were later to bear upon the development of the
concept of instincts. The passions of the soul are to be distinguished, according to him, from those of the body. The
passions of the soul are all those perceptions or cognitions found
in us which are not caused by the soul, and which derive from
things from without. 2 But to be a passion of the soul properly
so called, such a perception cannot have any cause other than
the soul. Of such a nature are joy, anger, and other psychic
states caused either by excitation of the nerves or by some other
cause. 3 The perceptions or passions of the body are hunger,
thirst, and other such natural appetites, to which affective
states such as " pain, heat and other affective states which we
experience in our members " can be joined. These affective
qualities are not in the objects outside us, but in ourselves. 4
Descartes did not interest himself in a psychological investigation of these perceptions or passions, for he considered the
passions explicable in terms of animal spirits which were transmitted along the nerves. 5 He did, however, have some idea of
what shall later be refined into the concept of an instinct. The
external world arouses in us various passions not because of
qualities in the physical objects, but because of the different
manners in which they aid or harm us. The passions dispose the
soul to desire things which are by nature of use to the organism,
and which ordinarily dispose the body to execute actions whereby we shall carry out some activity encompassing a useful end. 6
Descartes, Les Passions de l'Ame, part I, art. 17.
Ibid., part I, art. 25.
• Ibid., part I, art. 24.
• Ibid., part I, arts. 27 and 46.
• Ibid., part ll, art. 52: " Je remarque outre cela, que les objets qui meuvent
2
8
les sens n'excitent pas en nons, diverses passions a raison de toutes les diversite qui
sont en eux, mais seulement a raison des diverses fao;;ons qn'ils nons peuvent nuire
on profiter, on bien en general etre importants; et que l'usage de toutes les passions
consiste en cela seul qu'elles disposent l'ame a vouloir les choses que la nature dicte
comme aussi la meme' agitation des
nons etre ntiles, et a persister en cette
esprits qui a coutume de Ies causer dispose le corps aux mouvements qui servent a
!'execution de ces choses .... "
188
WILLIAM
A.
This is an important observation by Descartes, for it is pregnant with meaning for the theory of instinct. But Descartes is
more important in the history of the theory of instinct because
of the framework of thought which he set up, and within which
he confined all speculation on vital phenomena. We should not
be deceived, by the statements set forth by Descartes in his
treatise on the passions of the soul, into thinking that he is a
vitalist. For Descartes there were only two realities, extension
and· thought.· These were mutually exclusive. Thought and all
psychic processes-passions, sensations, etc.-were the attributes of the soul; and the soul was predicated of man alone. All
that was below man, even though it exhibited vital phenomena,
was not psychic but only mechanic, determined by laws of
chemistry and physics. Thus was set up a dichotomy of reality
which forced all investigators to attribute vital manifestations
to the rational soul alone, and to deny all vital predicates to
those beings which are not rational. This means that the animal
nature was to be regarded as a machine incapable of any psychic activity. With the philosophical tenets furnished by the
Cartesian teachings, biologists could approach the study of nonrational, or animal, life with the preconception that all phenomena found. there would be explicable by the same principle
used in the realms of physics and chemistry. 7
In the more elaborated forms of the mechanistic interpretation of vital activity, we find two chief trends: one explains life
on the basis of tropism, the other on the basis of reflex action.
Of the tropism theory, Loeb may be cited as the chief proponent among modern biologists, while Spencer and Pavlov are
well known for their advocacy of the reflex theory.
7 Malebranche,
a direct disciple of Descartes' teaching, gives fine expression to
the logical results of the Cartesian dichotomy when he says: "Les animaux n'ont
done ni intelligence ni ame, comme on l'admet habituellement. Tis se reproduissent
sans le savoir, ils ne souhaitent rien. Tis mangent sans satisfaction, ils crient sans
souffrances, ne craignent rien, ne connaissent rien et, lorsqu'ils agissent d'une fac;on
qui semble indiquer de !'intelligence, c'est parce que Dieu a cree les animaux pour
les maintenir en vie et qu'il a forme leurs corps de telle fac;on que machinalement
et sans crainte ils eyitent tout ce qui pourrait amener leur perte." Quoted by F.
Buytendijk, Psychologie des Animaux,
INSTINCTIVE
ESTIMATION
OF PRACTICAL
VALUES
189
According to Loeb the current idea of instincts as manifestations of purposeful behavior irreducible to physico-chemical
principles is a " diehard " remnant of the old a priori doctrine
of "design" in the universe. 8 The truth can be learned about
instincts by showing that they are founded on principles which
are valid in physics. The most striking phenomena to prove the
purely material nature of instinctive activity are to be found
in cases of heliotropism. There are other types of tropisms
which play an important part in instinctive action, such as
chemotropism and stereotropism, but Loeb has dealt primarily
with the heliotropism in his book The Organism as a Whole.
The positively heliotropic animal cannot tear itself loose from
the attraction of light, for it is bound to seek the light with the
same blind determinism that marks any chemical or physical
reaction. Thus Loeb explains the basis of his theory:
. . . Animals possess photosensitive elements on the surface of
their bodies, in the eyes, or occasionally also in epithelial cells of
their skin. These photosensitive elements are arranged symmetrically in the body and through nerves are connected with symmetrical groups of muscles. The light causes chemical changes in the
eyes (or the photosensitive elements of the skin). The mass of
photochemical reaction products formed in the retina (or its homologues) influences the central nervous system and through the
tension of energy production of the muscles. If the rate of photochemical reaction is equal on both eyes this effect on the symmetrical muscles is equal, and the muscles of both sides of the body work
with equal energy; as a consequence the animal will not be deviated
from the direction in which it was moving. This happens when the
axis or plane of symmetry of the animal goes through the source of
light, provided only one source of light be present. If, however,
the light falls sidewise upon the animal the rate of photochemical
.Teaction will be unequal in both eyes and the rate at which the
symmetrical muscles of both sides of the body work will no longer
be equal; as a consequence the direction in which the animal moves
will change. This change will take place in one of two ways, according as the animal is either positively or negatively heliotropic;
in the positively heliotropic animal the resulting motion will be
toward, in the negatively heliotropic from, the light. Where we
8
J. Loeb, The Organism as a Whole, 288.
190
WILLIAM
A. GERHARD
have no central nervous system, as in plants or lower animals, the
tension of the contractile or turgid organs is influenced in a different
way, which we need not discuss here. 9
That these tropistic actions are beneficial to both the individual and the species-thus fulfilling all the purposes for which
the concept of instincts was instituted as an explanation of a
particular type of vital activity- is proved by Loeb from his
experiments with the caterpillars of Porthesia chrysorrhea. 10
Loeb's theory, therefore, reduces all explanations of vital phenomena to a strict mechanism, and offers as corroboration of its
tenets definite experimental proof. But biologists have not been
unanimous in their acceptance of his explanations. Buytendijk
and Jennings have examined the statements of Loeb and have
found them insufficient; consequently, our attention must now
turn to the refutation of the tropism theory.
Jennings has done extensive work in investigating the validity
of the tropism theory, and through his experiments with infusoria he has added many facts which cause doubt to be thrown
upon this theory.
According to Jennings there are two main points in this
theory: (1) All movements of organisms, be they approach or
flight, can be attributed to orientation, by which is meant that,
without any self-determination on the part of the organism,
it must either approach or withdraw from the source of stimulation. (2) The stimulating force controlling movement does
not produce its effect upon the whole body but only upon that
" Ibid.,
° Cf. ibid., 280-288. Loeb extends his tropism theory to explain certain activities
1
in higher animals such as man. For instance the love a man has for a woman is
only a complex tropism consisting of secretions of the sexual glands into the blood
stream, coupled at the same time with memory images of the beloved. Removal
of the sex glands will cause the disappearance of the affection. "L'amour constant
d'un homme pour un sujet feminin determine nous peut apparaitre comme un
exemple de volition persistante et pourtant c'est un tropisme complique, par lequel
des substances des glandes sexuelles sont deversees dans le sang et, des images
mernoratives definies en sont les facteurs determinants. L'ablation des glandes
sexuelles fait disparaitre !'amour et Ia substitution des glandes sexuelles d'un sujet
par celles d'un autre sexe conduirait a l'inversion totale des instincts sexuels."
Quoted by Buytendijk, op. cit., 58-54.
INSTINCTIVE
ESTIMATION
OF PRACTICAL
VALUES
191
part where it directly impinges. In those parts of the body
which are directly affected, it causes direct changes in the state
of contraction of the motor organs of the directly affected
part of the body, and to these direct changes is due the movement of the organism. 11 The problem, then, shapes up into
two questions to which an answer must be sought: (1) Is the
behavior we observe in these organisms brought about by
orientation in the manner demanded by the tropism theory?
(2) Is there conclusive evidence that the stimulus acts directly
up the motor organs of that part of the body which the stimulus
affects? We shall here set down the results obtained by Jennings
from his experiments in which he subjected small organisms to
various types of stimuli.
1. Reactions to mechanical stimuli. The mechanical stimuli
consisting of touching or striking the body with a hard object
over a definite area do not serve too well to set up the conditions necessary for a tropistic reaction; but they will serve to
give us some general information on the reaction to stimuli.
Mechanical shock as a rule causes animals to turn away from
the source of the stimulus, and in higher animals the turning
away is usually from the side stimulated. What is worthy of
note is that Jennings finds that in ciliate infusoria the movement
of avoidance is not due to an external but to an internal factor:
sylonychia turns to the right whether it is stimulated on the
right or the left side, the dorsal area, or the anterior end. Consequently, we cannot say that the action is merely upon the
motor organs of the part stimulated, for if this were so there
would be no explanation for this constant turning to the right
11 Jennings, Behavwr of Lower Organisms, 92. In the same place he gives the
following quotation from Loeb in which these two points are set forth: " The
explanation of them (the tropisms) depends first upon the specific irritability of
certain elements of the body surface, and, second, upon the relations of symmetry
of the body. Symmetrical elements at the surface of the body have the same
irritability; unsymmetrical elements have a different irritability. Those nearer the
oral pole possess an irritability greater than that of those near the aboral pole.
These circumstances force an animal to orient itself toward a source of stimulus in
such a way that symmetrical points on the body surface are stimulated equally.
In this way the animals are led without will of their own either toward the source
of stimulus or away from it."
192
WILLIAM A. GERHARD
no matter where the stimulus is applied. The organism must
react as a whole, and directly, to the stimulus-not partially
and indirectly. How else can this constancy of action be explained? 12
Studies on the reaction of the flatworm to mechanical stimuli
have been made by Pearl, and from his experiments he concludes that when the flatworm turns towards the source of
stimulation in a positive reaction the cause is not to be sought
in the simple explanation of the motor organs of the stimulated
part reacting alone and directly, but rather in the unified
response of the organism.
A light stimulus, when the organism is in a certain definite condition, sets off a reaction involving (1) an equal bilateral contraction
of the circular musculature, producing the extension of the body;
(fl) a contraction of the longitudinal musculature of the side stimulated, producing the turning toward the sti:rtmlus (this is the
definitive part of the reaction); and (3) contraction of the dorsal
longitudinal musculature, producing the raising of the anterior end.
In this reaction the sides do not act independently, but there is a
delicately balanced and finely coordinated reaction of the organism
as a whole, depending for its existence on an entirely normal physiological condition.13
Such experimental data serve to throw no little discredit upon
the postulate of the tropism theory in which it is stated that
all movement is explicable by the reaction of the motor organs
in the part directly stimulated. For here we see the entire
musculature reacting with a unified movement in response to a
stimulus.
2. Reactions to chemicals. Considering reactions of this
type as they bear upon the postulate concerning the orientation to stimuli which the organism is forced to assume by the
nature of the stimuli, Jennings concludes from his studies in
various sorts of Ciliata, Bacteria, Flagellata, Rotifera, and flatworms, that nowhere has the typical reaction been found to
take the form demanded by the tropism theory. In these organisms he has observed a certain motor reflex consisting of a
'"Jennings,
op. cit., 94-95.
18
Quoted by Jennings, op. cit., 95.
INSTINCTIVE
ESTIMATION
OF PRACTICAL
VALUES
193
backing away, followed by a turning toward a structurally defined side, but without any regard for the direction whence
comes the diffusion of the chemical. According to the tropism
theory, the organisms should assume a definite position to the
stimulating source, which should figure as the dominating factor
in determining action of these organisms, but the facts deny
this postulate. 14
3. Reactions to .light. The phenomenon manifested in the
reaction to stimuli of light has served as the chief basis for the
theory of tropisms. In the presence of light the organism usually shows a definite orientation towards the source of the
stimulus: the axis of the body will usually move parallel to the
light, be it in approaching or retreating from the light. This
fact appears to serve as fine corroboration of the tropism theory,
but the matter must be more thoroughly investigated. The
question remains whether or not this orientation takes place
with the determinism characteristic of the physical laws which
the tropism theory claims explain all vital activity. In the case
of bilateral animals, it is found difficult to test the theory because the animals may turn toward either side, and, consequently, it is a problem whether the turning is due to the direct
action on the motor organs of the part affected, or is the result
of the organism reacting as a whole to a stimulus because of
some physiological change induced by the stimulus. 15
Jennings has carried on experiments with Stentors having a
negative phototaxis; the point he wished to show was that these
animals turned away from light not in a reaction to a difference
in illumination, as the tropism theory demands, but rather in
reaction to a structurally defined side without any regard for
the direction whence the light comes, or for the side of the
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