VERITAS RERUM: CONTRASTING COSMIC TRUTH IN HELLENISTIC AND CHRISTIAN THOUGHT The Truth in Things: Ontology THE DELIBERATE and systematic reflection of hinking believers on their lived belief, theology can choose from among many ways (hodoi) or methods of reflecting. Various historical forces have conspired to provide the preponderance to a particular kind of philosophizing theology, wherein deductive, syllogistic reasoning predominates. Valid and inevitable in itself, this type of theology is not simply sufficient, and if, falsely supposed sufficient, thins theological reflection and, ultimately, religious experience, of their proper profundity and richness. Other approaches to the meaning of being are not only helpful, but necessary. As J. N. Findlay has recently admonished us, Platonic myths " represent, with some decorative devices, a very serious ontology . . . and theology which we moderns would do well to take seriously, since they may well be true." 1 Centuries before, Dante's Divine Comedy had made it clear to Boccaccio that "poetry is theology." This idea was later elaborated by Charles Maurras, who suggested that "Ontology would perhaps be a better name, for poetry inclines above all to the roots of the knowledge of Being." 2 Not that poetic reflection and description are without their own proper dangers, both in discovery and in communication. Even (or perhaps, precisely) in the utterly symbolist mentality of the Middle Ages, Alain t J . .K. :Findlay, " The Myths of Plato," in Myth, Symbol and Reality, ed. Alan Olson (Notre Dame: University of Notre Dame Press, 1980) 165. 2Cited by Jacques Maritain, Art and Ffoholasticism (London: Sheed and Ward, 1949) 173. 1 ROBERT L. KRESS de Lille cautioned that "poetry's lyre rings vibrantly with falsehood in the external literary shell." Nevertheless, "internally it communicates a hidden and profound meaning .... Whoever reads with penetration, having discarded the external shell of falsehood, finds the sweet tasting fruit of truth enclosed within." 3 Why is this the case? For two reasons. First of all, both philosopher and poet are petitioners of the truth, propelled thereunto by their experience of the cosmos which prompts in them wonderment (admiratio). St. Thomas Aquinas, commenting on Aristotle, well remarks: It is clear that puzzlement (dubitatio) and wonderment (admiratio) proceed from ignorance. For when we encounter effects whose cause is hidden from us, then we wonder about their cause. And, insofar as wonderment was the cause leading to philosophy, it is clear that the philosopher is in some sense or other a philomythes, that is, a lover of fable (story), which is the property (the hallmark or characteristic) of poets. For this reason, the first who considered the principles of things (de principiis rerum) in a narrative (or story: f abularem) form were called theologizing poets, as were Perseus and certain others who were [known as] the seven wise ones. The reason why (causa quare) the philosopher is compared to the poet is this: both are concerned with mirandathings which evoke puzzlement and wonderment. For the stories with which poets are concerned are composed of certain " wonderfull" things. Philosophers, too, have been moved from wonderment to philosophizing. And because wonderment_ proceeds from lack of knowledge, it is clear that they have moved to philosophize in order to escape ignorance. 4 The second reason poets and philosophers enjoy perichoresis in the pursuit of truth is the perichoresis of truth and being itself. According to the Scholastics, "ens et verum convertuntur." 5 That is, being and true are interchangeable terms, for, de Lille, De Planotu Naturne, PL CCX, 451 C. Aquinas, In XII Libras Metaphysicor11-1n Aristotelis EJJpositio, L.I,1.3 ( Marietti 55) . 5 On this, see Joseph Pieper, Wahrheit der Dinge (Munich: Kosel, 1947) 11-27, 107. 3 Alain 1 Thomas VERITAS RERUM 3 as Thomas Aquinas notes, " The name truth expresses the congeniality and coming together of being and intellect." 6 Later, he emphasizes that " each and every thing is true and no thing is false." 7 In a word, truth is a disposition of being which neither adds to being nor specifies a special mode of being. It describes, rather" what is found in being in general." For, as "the philosopher concludes, the same order obtains in being (esse) and truth (veritate) ... and thus the nature (ratio) of the true follows the ratio of being (entis) ." 8 Long before our disputatious age and its bookish preoccupations, Anselm of Canterbury was already alarmed, for" so few ponder the truth which is located in the [very] being of things." 9 And Thomas Aquinas also felt compelled to emphasize that the purpose of dialogue and thought was not to know " what others have thought, but the truth residing in the very nature and being of things." 10 Indeed, the history of Western thought is encompassed by exhortations to do just that. At the beginning Heraclitus already admonished us that " Wisdom is to do and say true things, listening attentively to the very nature, the essence of things." 11 And in connection with his self-proclaimed destruction 12 of Western philosophy, Martin Heidegger proclaimed that " Thought (Thinking) , simply put, is the thought (thinking) of Being. The genitive is twofold. Thought is of Being insofar as thought is the event or happening of being; thus, it belongs to Being. Thought is 6 Thomas Aquinas, De Veritate (Quaestiones Disputatae) I,l (free translation). 7 De Veritate I,10. s De V eritate, I,l, ad 4,5. 9 Anselm of Canterbury, Opera Omnia T, ed. F. S. Schimitt (Edinburgh: Thomas Nelson, l!l46), 188 (ch. 9). See also pp. 185-186 ( cli. 7), where this idea is expanded. 10 Thomas Aquinas, Gommentarfam in libros de Gaelo et Mundo, L.I,1.22. 11 Heraclitus, Fragment 112, in Die Fragmente der Vorsokratiker, ed. H. Diels and W. Krans (Berlin: Weidmann, 1934). 12 Of course, Heidegger's "destruction" was not meant to be annihilational, but regenerative. Compare the origin of " destruction of the history of ontology" (Sein und Zeit [Halle: 1947, 19-27] with Was Jst Metaphysilc (Bonn: Colten, HJ43) !l. 4 ROBERT L. KRESS simultaneously the thought of Being insofar as thought, belonging to Being, listens to and heeds Being. The listening belonging to Being-this is what thought is in its very essential origin." 13 And when thought thinks successfully, it receptively discovers the truth, which is itself the aletheia, the unconcealment, the revealing of being. Being itself is always threatened by concealment in and through the very beings it enables to be.14 At this point the question of the "ontological difference" inescapably reveals itself. 15 To what kind of Being beyond (apeiron.) the being of individual beings do these beings themselves point? Of which transcending being are they signals? 16 In less strenuous language, we are inevitably brought face to face with the question recently popularized in Alfie and Jesus Christ Superstar: "What's It All About? " In the more sombre, soulful tones of Peggy Lee, one inquires, "Is That All There Is?" More philosophically put is the question of Leibniz, Schelling and Heidegger: "Why is there anything at all, and not just nothing?" 11 This question inevitably leads to what the Greeks called the apeiron-the unlimited, the unbounded, the all embracing, the beyond. In sum, the question about the beings and Being (Seinsfrage) of this world and their meaning (Sinnfrage) inevitably evokes the question of God (Gottesfrage). Thus, Hegel could still say that "in reality the proper object of philosophy is only God, or, its goal is to recognize and know God." 18 And before him, Thomas 13 Martin Heidegger, Platons Lehre von der Wahrheit mit einem Brief iiber den Humanismus (Bern: Francke, 1947) 56-57. 14 See Martin Heidegger, Preface to Heidegger-Through Phenomenology to Thought, Herbert Richardson (Hague: Nijhoff, 1963) XI-XIV, XXL 15 See Max Muller, Existenzphilosophie im geistigen Leben der Gegenwart (Heidelberg: Kehrle, 1964; 3rd revised ed.) 43-50, 77-84. 1s Peter Berger, A Rumor of Angels (Garden City: Doubleday, 1969). 11 See Joseph Pieper, "Kreatiirlichkeit," in Thomas von Aquin 1274-1974, ed. Ludger Oeing-Hanhoff (Muni ch : Kosel, 197 4) , 58 ( bibliographical references). 18 G. W. F. Hegel, Einleitung in die Gesohiohte der Philosophie, ed. J. Hoffmeister (Hamburg: Meiner, 1959) 91. VERITAS RERUM 5 Aquinas had emphasized that "nearly the entire philosophical enterprise is ordered to the knowledge of God." 19 From its very beginning, Western thought, indeed, all human thinking, has been fascinated by the apeiron beyond the limited beings and experiences of everyday human life. Already among the earliest Greeks unanimous agreement about its existence was accompanied by unanimous disagreement about its nature. The truth which is in the very nature of things here on this side (diesseits) can only be and be fully revealed insofar as the truth of the Beyond (jenseits) shines into and illuminates this cosmos. Human reflection is the endeavor to discover this truth in and through the events and experiences of everyday life. Christian reflection understands this discovering to be sourced in the twin lights and books of creation and revelation. 20 Among the many miranda, the wonderful things which human and Christian reflection must ponder, are positive and negative elements. Among the latter, a preferred topic is the event and experience of failure. Human failure is twofold. One is merely finite, the failure that can happen in any human endeavor when the desired goal is not reached. The other is also moral, when a goal, important for the flourishing of the cosmos and humanity, is not reached because of a freely and inadequately chosen and performed means. Often finite failure is also moral failure-sin. However, not all failure is necessarily moral, and we must be careful lest we become sin-preoccupied, thereby devaluing both God and cosmos, as well as sin itself. 21 19 Thomas Aquinas, Summa Contra Gentiles I,4. M. D. Chenu, "The Symbolist Mentality," Nature, Man, and Society in the Twelfth Century, (Chicago: University of Chicago Press, 1968) 99145; also Ludger Oeing-Hanhoff, " Gotteserkenntnis im Licht der Vernunft und des Glaubens nach Thomas von Aquin," in Thomas von Aquin 1274-1974, 97-123. Avery Dulles has well shown the compatibility and mutuality of "Revelation and Discovery," in Theology and Discovery: Essays in Honor of Karl Rahner, ed. William Kelly (Milwaukee: Marquette University Press, 1980) 1-29. 21 See Robert Kress, "Human Nature in the Roman Catholic Tradition," in The Human Condition in the Jewish and Christian Traditions (tentative title), ed. Frederick Greenspahn KTAV. (New York: KTAV, 1985). 20 See G ROBER'f L. KRESS In any case, the experience of failure and guilt has been a constant goal to reflection on the truth of the things of this cosmos. Failure and guilt have long been a favorite theme of the matter-of-fact indicative sentences of deductive, syllogistic theological textbooks. Of all theological themes, however, failure and guilt may have flourished most in the dramatic narratives of both myth and history. 22 Against this background I wish to compare some experiences of failure and guilt in Greek and Judeo-Christian literature. 28 Before we proceed to the texts themselves, it is worth noting that some words are more important than others. Karl Rahner calls these "Urworte "-original, originary, primal, primary words. They do more than merely designate and denominate individual beings, whether things or actions. Beyond this, they symbolize-that is, they enable the thinking human being to synthesize, to pull all things and events into a. coherent, meaningful whole. We often spontaneously associate such original and primal words with the poet-night, star, home, heaven, hell, heart, kiss, wind, spirit. 24 From among them, we choose for our purposes light and darkness, cosmos and conscience, vision and blindness. 22 Thus, Hans Urs von Balthasar has proposed a "Theologische Asthetik, Logik and Dramatik" in order to achieve an "at least moderately satisfactory presentation of the uniqueness of Christianity for contemporary culture." Rechenschaft 1965 (Einsiedeln: Johannes, 1965) 27-33. 2s In support of my procedure, I shall invoke only Cleanth Brooks, The Hidden God (New Haven: Yale University Press, 1963), especially 68-97. " The poet's task is not only to find new symbols for the central experiences but to reconstitute the old symbols, reclaiming them, redeeming them, setting them in contexts which will force us once again to confront their Christian meanings" ( 72-73). Charles Moeller has devoted an entire volume to "salvation literature and the literature of happiness . . . in the eyes of modern man." Man and Salvation in Literature (Notre Dame: University of Notre Dame Press, 1970) 3. 24 Karl Rabner, ffohriften zur Theologie III (Einsiedeln: Benziger, 1956) 349-375, 379-390. "Thus the Urwort is certainly, before all other expressions, the Ursakrament of the entities, realities (Wirklichkeiten) ... in this word the realities come forth from their obscurity into the protecting light of man, to bless him and fulfill him " ( 358) . See also the idea of the " Schliisselbegriff" in Schriften XIII ( 1978) 255,310. VERITAS RERUM 7 The Truth in Tears: Myth and History For our comparison we shall have recourse to both the Greek and Judeo-Christian traditions. From the former the truth of dramatic myth will be represented by Oedipus; from the latter the truth of dramatic history by Peter and Paul. In both cases, of course, it is a matter of reflection on the experience of failure for the sake of discovering the truth in the very nature of things, the being of the world. Oedipus Rex 25 is properly called a. tragedy, for the truth mediated by this drama is truly tragic. To discover precisely wherein this tragedy lies now becomes our task. We may begin by asking whether the truth of things which Oedipus discovers enlightens or endarkens the cosmos which he experiences. I have chosen Oedipus precisely because he was " a man most masterful; not a citizen who did not look with envy on his lot" (Rex 1525). His later lot, was, however, anything but enviable. But the precise nature of the tragic drama of Oedipus remains imprecise. Was it an ancient anticipation of Existentialist Angst, testifying that "not to be born is the greatest boon, surpassing thought and speech" (Colonus 1224)? Or was it a pristine paradigm of stoic endurance in a hostile cosmos, where we may " count no mortal happy till he has passed the final limit of his life secure from pain" (1530) ? Most properly, neither of these approaches is adequate. As even Sigmund Freud perceived, Oedipus Rex is really a theoontological drama: 26 " The Oedipus Rex is a tragedy of fate ... the conflict between the all-powerful will of the gods and the vain efforts of human beings threatened with disaster." 27 However, he misperceived when he asserts that" the 25 For the Greek dramas I have used the translation of David Grene and Richard Lattimore, Greek Tragedies, volumes I (Oedipus Rex) and III (Oedipus at Oolonus) (Chicago: University of Chicago Press, 1960). 26 I borrow this term from Martin Heidigger, Identitiit und Differenz (Pfiillingen: Neske, 1957) and do not deem it illegitimate eisegesis to use it in regard to Freud. 27 Sigmund Freud, The lnterpreta.tion of Dreams (GBWW 54) (Chicago: Britannica, 1952) 246. 8 ROBERT L. KRESS form which it [the Oedipus fable] subsequently assumed [in Sophocles] was the result of misconceived secondary elaboration of the material, which sought to make it serve a theological intention." 28 For it does serve such an intention, although one may still agree with Freud's contention that the pious Sophocles can hardly be expected to urge " an accusation against destiny and the gods." 29 On the other hand, one must, not and may not agree with Freud's presumption that the Oedipal drama is a prolepsis of his own psychoanalytic philosophy and program, wherein the truth of things is parricide and incest, as "the basic [primeval] wish-phantasy of our childhood" unveils and reveals. 3 ° Crucial for our purpose is that even the pious Sophocles cannot rest easy with the harsh truth of things, blinding and exiling as it is, which is revealed in Oedipus Rex. Thus, Oedipus at Colonus represents Sophoclean puzzlement and wonderment about the cosmos and its apeiron, " God in whose hands all these things [certainly miranda] are" (1779). A later interpreter of Freud, Paul Ricoeur, has clearly seen that " the core of the tragedy is not the problem of sex." It is, rather, "the tragedy of truth ... the tragedy of self-consciousness, of self-recognition." However, he is less satisfying when he specifies this tragedy as "the problem of flight," wherein "Oedipus becomes guilty precisely because of his pretension to exonerate himself from a crime that, ethically speaking, he is not in fact guilty of." Ricoeur is correct in emphasizing Oedipus's original non-guilt, but he is wrong when he describes the Oedipal " disaster" as " this impure passion with respect to the truth, his hubris . . . his passion for nonknowing. He incorrectly locates Oedipus's guilt "in the sphere ... of selfOne can wonder whether Ricoeur has entirely escaped the danconsciousness: it is man's anger as the power of non-truth." 31 Interpretation 24 7. General Introduction to Psychoanalysis (GBWW #54) 582. ao Interpretation 247; General Introduction 582. a1 Paul Ricoeur, Freud and Philosophy (New Haven: Yale University Press, 1970) 516-517. 28 20 VERITAS RERUM 9 gers of the Freudian, psychoanalytic " reductionist hermeneutic," about which he himself has cautioned. 32 Why else would he insist on finding Oedipus somehow or other guilty of something or other? In the drama there are certainly guilt and tragedy aplenty. But their specific subject is not the person of Oedipus, who remains "a man most masterful" (my emphasis) . It is, rather, the cosmos which he inhabits, its taxis (order) 33 within and its apeiron without, for they are all beholden to heimarmene, 34 the impersonal tyrant of blind fate. Consequently, a free human conscience, the prerequisite for guilt and sin in the strict sense, is not possible in the Oedipal cosmos.35 Hence, he cannot be guilty in the strict sense, but the cosmos is guilty in an analogical sense. The " truth of the things" in this cosmos is darkness-both blind and blinding. This cosmos is not the " Seat of Wisdom," which enlightens, but the exile of doubt and despair, which blinds. As in all philosophies, myths and religions, this cosmos is the image and likeness of the apeiron whence it comes. And this apeiron is the blind, impersonal fate of necessity (anangke) 36 to which even the gods are subject, as Ovid's Jupiter meekly confesses: " The fates rule me also " CMetam. 9,435) .37 The inner worldly " sacramental " presence of this heimarmene is the cosmic taxis, itself absolutely necessary and inviolable, blindly bent 32 Paul Ricoeur, "The Atheism of Freudian Psychoanalysis," Oonoilium 6/2 (June 1966) 31; 35. 33 On the importance of ta::vis, the necessary cosmic order of things, and the retribution it requires and effects, see Martin Heidegger, "Der Spruch des Anaximanders," H olzwege (Frankfurt: Klostermann, 1963) 296-343. 34 See Hans Jonas, Philosophical Essays (Englewood Cliffs: Prentice Hall, 1974) 275-290. 35 See Robert Kress, " Cosmos and Conscience in the History of Religious Imagination," in The Pedagogy of God's Image, ed. Robert Masson (Chicago: Scholars Press, 1982) 191-206. 36 See Philip Wainright, editor, The Presocratics (New York: Odyssey, 1966) 94-99, 105, 141, 295 (also moira, tyohe, themis). 37 See also Aeschylus, Prometheus Bound (Grene and Lattimore I): "Is Zeus weaker than these? Yes, for he, too, cannot escape what is fated." Likewise, for Horace (Carmen I, 12, 49-51) is Jupiter also subject to Fate. See H. 0. Schroder, "Fatum," Realle::vikon fur Antike und Ohristentum 7, (Stuttgart: 1941) 529. 10 ROBER'r L. KRESS on avenging every violation of itself. Greek cosmocentric, objectivist thought neither requires nor, in all truth, allows that knowing freedom of conscience we customarily consider requisite for sin and guilt. 38 Thus, Freud is again not on target in contending that Oedipus dramatizes a conflict between" the all-powerful will of the gods and the vain efforts of human beings ... between fate and human will." Likewise, Oedipus's cosmos does not a.llow the Freudian contention about the tragedy as " the attempt to reconcile divine omnipotence with human responsibility," 39 for it cannot provide for human responsibility at all. Even worse is the reason it cannot do this: its presumably "all-powerful ... gods" are themselves impotent, subject to an even greater power, whose necessary nature is not the creativity of free wisdom, but the force of blind fate. Because of all of this, not Oedipus, but his cosmos is guilty, its truth blinding, not illuminating. The truth of this cosmos inspires not rejoicing, but weeping, not home-coming, but exile. Sophocles's text itself is emphatic. For this "terrible wisdom (Rex 316) ... God's meaning for us (407, 707-710, 723-725) is darkness on your eyes ... this land ... a haven [which is] no haven" (417-423). Therefore, the blind seer [In such a cosmos could the seer be anything but blind?] continues, " he'll have no joy of the discovery: blindness for sight and beggary for riches, [blind exile] to a foreign country" (453-456). How otherwise, in a cosmos in which "What you have designed, 0 Zeus" enables Oedipus to "have called curses on myself in ignorance" (737, 744). It is, once again, not Oedipus, but his cosmos and its apeiron which are "mad" (727) . In such a cosmos, where one's "fate" is "doom" (792-793), there is only one answer to Alfie's and Jesus Christ Superstar's question "What's It All About": acquiescence in Jocasta's exhortation "I beg youdo not hunt this out" (1060), participation in the prayer, 38 See J. B. Metz, Christliohe Anthropozentrik (Munich: Kosel, 1962) especially 59-64. Robert Kress, A Rahner Handbook (Atlanta: John Knox, 1982) 98-103. 39 Interpretation 246-247. VERITAS RERUM 11 " God keep you from the knowledge of who you are " (1068) . The truth of the Oedipal cosmos is such, then, that ignorance is truly bliss, for knowledge of the truth results in banishment and blindness. Not only are Oedipus and Jocasta" unhappy" (1071, 1236) and "luckless" (1195), their very "world [is] darkness" (1326). Since "vision showed me nothing sweet to see" (1335), Oedipus was certainly correct when "he tore the brooches ... and dashed them on his own eyeballs " (12681270) . " Dark eyes " (1273) are as good as clear eyes when even "the sight of [one's own] children [cannot] gladden" (1375). And in this cosmos Oedipus was also correct to "cast himself out of the land" (1289), for this "city, its towers and sacred places" (1377) have no room for the "sinner and son of sinners " (1398) Oedipus has been found to be. In such a cosmos, " seeing and hearing nothing" (1390) is a logical wish, indeed a blessing. Can one really argue against the conclusion that one "would be better dead than blind and living" (1368) ? If the world is darkness, knowledge blindness, life's journey an exile, one may truly " count no mortal happy till he has passed the final limit of his life secure from pain " (1530). Oedipus at Colonus continues these reflections on the miranda of Oedipus's life: "indeed his end was wonderful, if mortal man's ever was" (1665). In this account of Oedipus's last days, and this is crucial for our purpose, there is not only resignation to "inscrutable destiny ... the powers that are over us" (1450), 1443). There is also puzzlement and wonderment whether the cosmos is really as blindly fated as Oedipus Rex has experienced it. Protest and revolt are probably too strong to describe this puzzlement, but there is diligent inquiry. The cosmos still continues to be perceived as "a wide and desolate world (1746) ... the night of earth (1753) ... a deathly night" (1684) . "Uttermost twilight " (1237), the world is like "the dark road (1433) ... [in a] sunlight of no light (1549). Since the earth is certainly "no epithalamion" (1222) but a " shroud " (1546) , its end is most fittingly " the dark underworld (1552) ... death (1223) . . . [whose] unlit ROBERT L. KRESS door opened (1663) [onto] the dead men's plain, the house that has no light" (1564) . How, then, could one not desperately inquire "Where shall I go and how shall I live " (1735) ? Faced with "this ... truth" (1238), it is not startling that the "sightless face's (1260) ... eyes are blind with tears" (1709). How else respond to the truth that "not to be born surpasses thought and speech [that is, is the greatest boon mankind can expect]. The second best is to have seen the light and then go back quickly whence we came" (1224-1226). Unfortunately, for Oedipus "to have seen the light" is to know that human being and human history constitute a " bewildering mystery " (1677) . This is " the truth of things " in the Greek objectivist, cosmocentric universe of Oedipus, who, although hardly enviable in his fate, remains most noble in his character. Not he personally, then, is tragically guilty, but his cosmos with its apeiron of heimarmene without and its taxis of retribution within. But is even this Oedipal cosmos quite so tragic, so blindly fatal? Again, one can hardly speak of revolt and rebellion on the part of Oedipus and his fellow dramatis personae or of Sophocles and his fellow dramatists. But questioning and doubt there were, whether the apeiron beyond and the cosmos here could be so constituted. Again, we must remind ourselves that the drama of Oedipus is neither sexological nor ethnological 40 nor psychological, but ontological, or, in the classic triad of Western thought, cosmo-anthropo-theological. "All human reflection on the deeper meaning of life ultimately revolves around three concepts, or the metaphysical trinity as they have been called: God, man and world." 41 Oedipus's original and primal discovery is not his unusual relationship as simultaneously son and husband, father and brother (Rex 455-560; 40 Against Freud's attempt to locate the source of human tragedy in some historical event "in the beginning," see Paul Ricoeur, "The Atheism" 34, where he also indicates the serious deficiencies of Freud's methodology in regard to both religion and the history of religions. 41N. Max Wildeirs, The Theologian and the Universe (New York: Seabury, 1982) 1. VERITAS RERUM 18 Oolonus 829, 588, 1184), but the truth of the nature of his cosmos and its apeiron. This we have seen at length above. There remains but to indicate that the truth thus discovered was not merely and supinely accepted. It was also a source of discontent. Oedipus Rex is already a.hie to contrast "some malignant God" (829) with " God as our protector" (828) who "gives all life" (1425) . However, it is Oedipus a,t Oolonus which emphasizes the unease of even the pious Sophocles with the truth of things which Oedipus Rex had discovered. At the very beginning Oedipus recalls that the "oracles ... of Apollo ... spoke of ... a resting place ... when I should find a home ... conferring benefit on those who received me" (85-90) ... for I came here as one endowed with grace by those who are over nature (286) ... a more lasting grace than beauty" (578). Although the emphasis on "fate-al" necessity and destiny remains (46, 191, 253, 525, 964, 998, 1887, 1450, 1518, 1546, 1672, 1715, 1765)' Oedipus is nevertheless able to protest vigorously: "No, I did not sin! Before the law-before God-I am innocent (587, 548) ! " Indeed, "how was I evil in myself? For I suffered these deeds more than I acted them" (270, 267; all of 265290). Even more impassioned is Oedipus's protest to and against Creon (960-1014): "No, I shall not be judged an evil man (988) .... I suffered them, by fate, against my will (968) .... How could you find guilt in tha.t unmeditated act" (977)? Perhaps the ground for this protest can be found in Polyneices's contention, self-serving certainly, tha.t "compassion limits even the power of God " (1267) and all " these things are in the hands of God" (1779). Thus it is possible both to " cry in bitter grief against our fate" (1672) and also, surprisingly, to pray and hope that "the gods may give you such destiny as I desire for you" (1124) . What are we to make of all this? What is the truth that Oedipus discovered in the very nature of the things he so dramatically experienced in his cosmos? Negatively, he discovered that the conventional theological wisdom of his contemporaries was not satisfactory. Human being is not, and 14 ROBERT L. KRESS cannot be, merely one more homogeneous part of the blindly fated taxis of the cosmos, as " inscrutable " and " incredible " (Colonus 1450, 983) as the blindly fated apeiron supposedly its source. Hence, the cosmos and its apeiron must be different than they first seem to both the customary conventional wisdom of the past and the immediate reflection of the present on, especially tragic, experience. Even in the restricted cosmocentric objectivist cosmos of the Greeks, human experience and (theological) reflection thereon do not allow for universal unfreedom and the destruction of the innocent man. However simple or sophisticated, the argument is that reality simply must be other than a cosmic prison of pain, a dark dungeon of death. The truth of the nature of things has to be other. For Oedipus at Colonus the truth may not yet be as luminous as the Psalmist's, for whom even" the night shines as the day . . . . Night shall be my light in my pleasures" (Ps. 139: 11-12; Vulgate), but it is also no longer "uttermost twilight" (Colonus 1237), a vespers fit only for the "deathly night" (1684) of the " underworld," whose entrance is "the unlit door of earth " (1663) . This rather unexpected, indeed startling, outcome of Oedipal experience and reflection I take to be a particular instance and manifestation of what Karl Rahner has termed "suchende Christologie "-a searching, questing Christology .42 By this phrase Rahner wishes to assert that the world has been created and graced by God in such a way that even those who have not heard of Christ explicitly can and do live a. " Christology," at least unthematically and anonymously, in the course of their 42 The basic texts are "Jesus Christ," Saoramentum Mundi Ill (New York: Herder and Herder, 1969) 194-197, where "suchende Ohristologie" is unfortunately translated as "inquiring Christology;" Karl Rahner and Wilhelm Th using, Ohristologie-Systematisch und Exegetisch (Frei burg: Herder, 1972; unfortunately the English translation, A New Ohristology (New York: Seabury, 1980) cannot be recommended for two reasons. The Rahner material is not at all the same. The translation can best be described as at random.) 59-69; Karl Rahner, Sahriften XIII (1978) 174-225; Grundkurs des Gla,ubens (Freibnrg: Herder, 1976) 288-295. VERITAS RERUM 15 personal histories. 43 In their lives human beings freely strive for a final validity for themselves, whole and entire. Given the fragility and fragmentation of human history, individual and universal, the human being keeps watch and is on the lookout for an absolute savior, not only as an external, providing agent or effective cause, but as an instantiation or realization of this wholeness in him/herself, whether already accomplished in the past or still to happen in the future. This " seeking Christology" for the absolute savior is especially manifest in what Rahner calls the three "Appelle" or calls, summonses: I) absolute love of neighbor; 2) readiness to die, or better, willingness to accept death; 3) hope in/for the future. At least in the most authentic "moments " of their lives, human beings experience and understand these three calls to be dimensions of their very existence. Rahner describes them as " anrufbares Daseinsverstandnis." 44 That is, these three experiences of human existence are especially the ones to which one appeals when one wishes to " demonstrate " the meaning and consequent relevance of Christ for human beings. Or, again, because of the de facto order of God's saving creation and grace, human life authentically loving, hoping and dying not only prepares for, but also already participates in the absolute salvation which Jesus not only causes, but is. This seeking, searching Christology I take to be illustrated in Oedipus's quest for both understanding of his tragedy and justification of his person. He was, therefore, truly looking for salvation from sinfully compromised finitude in a fallen world, the salvation which Christians believe to have happened in Jesus Christ, the only, and therefore universal, mediator between God and man (I Tim 2:4-6; John 10: 1-16) .45 43 On the relation of "searching Christology" and "anonymous Christianity" see my A Rahner Handbook 60-62, 80-85. 44 Christologie 60. 1s See Rudolf Schnackenlmrg, IJus .Tohunnesevangelium 11 ( Freiburg: Herder, 1971) 366-369: "Die Absolutheit des Anspruches Jesu schliesst alle Konkurrenten aus." To account for these various degrees of divine enlightenment, theology developed the theory of the threefold light of nature, grace, 16 ROBERT L. KRESS The difference between the fullness of salvation revealed in Jesus Christ and the search for salvation manifested in Oedipus is illustrated by the contrast between his experience of failure-sin-guilt and the experience of Simon Peter and Paul of Tarsus. That which Oedipus experienced as " Bewildering Mystery" (Colonus 1667), they experienced as" rich, glorious mystery (Col 1: 27) ... mystery of the Gospel (Eph 6: 19) ... the Good News" (Rom 16: 25). "The mystery of our religion is very deep indeed: He was made visible in the flesh . . . taken up in glory" (1 Tim 8: 16). The truth of things revealed and experienced in the Apostolic encounter with the cosmos and its apeiron, even with failure and guilt, is quite other than the Oedipal. Nevertheless, as we have seen, the Oedipal experience may be legitimately understood as a longing and searching for this other, apostolic, Christian truth. It has its own light of truth, although it does not yet enjoy the fullness of light and truth which da.wns only in Jesus (2 Tim 1: 10; Tit 2: 11; 8.4) . However dim it may at times seem, Odeipus's cosmos does have its own light and truth. Why? According to Thomas Aquinas, for example, " insofar as a thing has both formal and actual being, it also has light." And in a philosophical work, he was able to say that " Ipsa actualitas rei est quoddam lumen ipsius " (The reality of a thing is itself its very light) .46 We can now take up the Petrine and Pauline experience of the cosmos and its apeiron through the medium of failure and guilt. First of all, in contrast to Oedipus, Simon Peter has to be accounted guilty in the proper sense, for his failure was freely chosen and freely accomplished. In the Judaeo-Christian anthropocentric understanding, the human being is precisely not and glory, on which see Ludwig Rodi, "Lumen Gratiae," in Mysterium der